Tag Archive for: smithsonian institution

New Tricks from an Old Mummy

/in , , , /by

Special thanks for this guest post to Sarah Wisseman, Director, Program on Ancient Technologies and Archaeological Materials, Illinois State Archaeological Survey, Prairie Research Institute, University of Illinois at Urbana-Champaign. 

Photo courtesy Bill Wiegand, UI News Bureau.

The University of Illinois Roman-period Egyptian mummy at the Spurlock Museum has undergone two radiologic investigations using Computerized Tomography (CT), twenty years apart. In 1990, an interdisciplinary team was convened to investigate the mummy before it went on display. Since autopsy was not permitted, we concentrated on non-destructive imaging supplemented by materials analyses of tiny bits of hardened resin, cloth, and insects from the damaged foot and ankle area of the mummy. The initial results showed that the mummy was a child (because of dental development and open growth plates) with a broken head and a collapsed chest. CT images showed some kind of packing material (cloth or mud?) around the limbs and a wooden, so-called “stiffening” board under the body inside the linen wrappings. The insects turned out to be carrion beetles, implying that the child’s body was in a partially decayed state before it was wrapped up. 

The brain, heart, and lungs were still in place inside the mummy, but as our consulting radiologist Dr. Joseph Barkmeier at Carle Foundation Hospital in Urbana, IL, commented, “they’re all dried up and moved around.” Lack of evisceration and a concentration on the exterior decoration instead of tissue preservation are features of many Roman period mummies. So is the wooden board wrapped up underneath the body. The sex of the child could not be determined because the pelvic region was obscured by layers of tissues and wrappings. But identifying the sex of a young child based upon skeletal remains alone is not very reliable in the best of circumstances. 

Photo courtesy Dr. David Hunt, using OsiriX software.

In 2011, we decided to re-scan the mummy utilizing vastly improved imaging technology and computer software. David Hunt, Physical Anthropologist at the Smithsonian National Museum of Natural History, was a consultant on the new project. 

Internal organs, packing, and bone fractures are much more clearly visible from the new CT imaging. Dr. Hunt was able to age the mummy child more precisely to about 8.5 years at the time of death by identifying the growth and development of the dentition. However, the measurements of the long bones of the legs were shorter than expected by the dental age, suggesting that the child suffered from some levels of malnutrition or illness. Unfortunately, sex is still unknown because the pelvis is collapsed and cannot be measured for physiological identification and soft tissue organs are not discernable since the densities of bone, tissue, and wrappings are very close in density values, making clear observations problematic. 

In the thoracic cavity, desiccated organs lie up against the spine, and the spine shows signs of compression fractures (post-mortem). The occipital fracture is more severe than we originally thought, and a piece of the skull is inside the cranial cavity. Some brain tissue is clearly visible, but it is probable that the embalmers removed portions of the brain through the back of the head, certainly not through the nose. 

The 2011 images show that the embalmers used wads of cloth rather than mud or plant material to pad out the thin little body and make it appear more life-like. A recent pigment analysis by the Getty Conservation Institute confirms that the red colorant on the stucco surface is lead oxide, or minium, from Rio Tinto, Spain, and that it matches that of nine other “red shroud,” Roman-period mummies published the new book Herakleides: A Portrait Mummy from Roman Egypt by Lorelei Corcoran and Marie Svoboda. This finding reinforces our conclusion that the Spurlock mummy child came from a well-to-do family in Roman Egypt that could afford expensive ingredients such as the red pigment and gold leaf seen on the mummy wrappings. 

At Dr. Hunt’s request, forensic artist Joe Mullins of the National Center for Missing and Exploited Children (NCMEC) used the new CT scans to digitally reconstruct the child’s head and face. The result, with several possible hairstyles, shows that the mummy child was of West Asian or Mediterranean heritage, just as one might expect from the cosmopolitan population living in the Fayum region of Egypt at that time. 

Photo courtesy Joe Mullins, NCMEC.

For more on the University of Illinois mummy, visit: https://www.isas.illinois.edu/atam/research/mummy/index.html 

The Spurlock Museum at the University of Illinois at Urbana-Champaign has been in association with the Smithsonian Institution since 2005. To find a Smithsonian Affiliate in your neighborhood, click here.

SITES in your neighborhood this winter

/in , , , , /by

Smithsonian Affiliates across the country are bringing Smithsonian Institution Traveling Exhibition Service (SITES) exhibitions to their communities this winter. Here’s what’s opening at an Affiliate near you:  

In 1954, Clemente signed with the Pittsburgh Pirates. “I didn’t even know where Pittsburgh was,” Clemente later admitted. This image was taken on the field in 1957. AP/Wide World Photo

November 5, 2011 – January 1, 2012
Reginald F. Lewis Museum of Maryland African American History and Culture(Baltimore, Maryland)
Beyond Baseball: The Life of Roberto Clemente
The baseball diamond has produced legendary athletes who have broken records and shattered barriers. But for many, Roberto Clemente is the most inspiring of all. With a cannon arm and lightning speed, he was an outstanding ballplayer. But the Puerto Rico native was also a dedicated humanitarian.
Special programming in conjunction with the exhibition

  • On Sundays throughout the month of November, visitors to the museum can participate in SUNDAYS @ 2 FILMS series. Featured films are: Béisbol: The Latin Game, Third World California, From Mambo to Hip Hop: A South Bronx Tale, and Yo soy Boricua, pa’que tu lo sepas! (“I’m Puerto Rican, Just So You Know!”).
  • Raise Your Brown Black Fist: The Political Shouts of an Angry Afro-Latino (Book Talk) (Saturday, December 10, 2 p.m.) Through political commentary, author, screenwriter, activist and journalist Kevin Alberto Sabio addresses the unspoken African heritage of Latino culture, the exclusion of Afro-Latinos from mainstream American and Latino society and the hidden history of unity between the two. 

Radmilla Cody, Miss Navajo Nation, and her grandmother, 2006. Radmilla Cody became Miss Navajo in 1997. Although she proved her cultural knowledge, her selection was controversial in the Navajo community because she has mixed race heritage. © 2009 John Running

November 5, 2011 – January 1, 2012
Reginald F. Lewis Museum of Maryland African American History and Culture(Baltimore, Maryland)
IndiVisible: African-Native American Lives in the Americas
IndiVisible: African-Native American Lives in the Americas explores historical and contemporary stories of peoples and communities whose shared histories are woven into the fabric of American identity but whose presence has long been invisible to many in the United States.
Special programming in conjunction with the exhibition:

  • Painted Gourd: Red and Black Voices (Saturday, November 5, 3 p.m.) Penny Gamble Williams, a descendant from the Chappaquiddick Band of the Wampanoag Nation of Massachusetts, examines the intercultural relationships between Native American and African Americans.
  • Genealogy Workshop: Researching Black Indian Ancestry East of the Mississippi (Saturday, November 19, 10:30 a.m.)Join author and blogger Angela Walton-Raji for a presentation on research methods of documenting African American and Native American family history.
  • Native American Dance Presentation (Cultural Program) (Saturday, November 26, 2 p.m.) Native American dancers with the Baltimore American Indian Center perform social dances that explain their history.
  • SUNDAYS @ 2 FILMS:  Black Indians: An American Story (Sunday, December 4, 2 p.m.) 

Filipino and other Asian immigrants were recruited as early as the mid-1800s to accommodate the agricultural demands of the West Coast and Hawai’i. Courtesy Center for Labor Education and Research, University of Hawai’i at West O’ahu

November 12, 2011 – January 22, 2012
Sonoma County Museum(Santa Rosa, California)
Singgalot: (The Ties That Bind) Filipinos in America, from Colonial Subjects to Citizens
Today there are more than 2.5 million Filipino Americans in the U.S. Yet many, including Filipinos themselves, aren’t familiar with the details of their history in America: their experiences, rich traditions, and culture. Singgalot is their story.
Special programming in conjunction with the exhibition:

  • Film Screening: Remembering Our Manongs: Sonoma County’s Filipino History (Fri Dec 9, 2011 6:00pm – 8:00pm) A moving film documenting the Filipino presence in Sonoma County, produced with the help of the Filipino American National Historical Society (FANHS).
  • Filipino-themed Family Day(Sat Dec 10, 2011 11:00am – 2:00pm) Activities will include dance and martial arts demonstrations, traditional Filipino children’s games, face painting, hands-on musical instruments, and more.

Salute to Matkatamiba. Photo by Kate Thompson

December 3, 2011 – February 26, 2012
Littleton Museum 
(Littleton, Colorado)
Lasting Light: 125 Years of Grand Canyon Photography
Covering nearly 125 years of photographic history, the exhibition includes images of early photographers dangling from cables to get the perfect shot, their cumbersome camera equipment balanced precariously on their shoulders. More modern images are bold and dramatic, revealing the canyon’s capricious weather, its flora and fauna, waterfalls and wading pools, and awesome cliffs and rock formations. 

 

 

Untitled Still Life, Flowers, ca. 1936-1938. Oil on burlap. Courtesy Morgan State University and SITES.

December 24, 2011 – March 18, 2012
Mennello Museum of American Art (Orlando, Florida)
William H. Johnson: An American Modern
A virtuoso skilled in various media and techniques, William Henry Johnson (1901-1970) produced thousands of works over a career that spanned decades, continents, and genres. Now, on view in its entirety for the first time, a seminal collection covering key stages in Johnson’s career. This exhibition of 20 expressionist and vernacular landscapes, still life paintings, and portraits explores the intricate layers of Johnson’s diverse cultural perspective as an artist and self-described “primitive and cultured painter.”  

Legendary New York Mets’ coach Yogi Berra shares his line-up with Clemente before a 1972 spring training game in St. Petersburg, Florida. AP/Wide World Photo

January 21 – March 18, 2012
Orange County Regional History Center (Orlando, Florida)
Beyond Baseball: The Life of Roberto Clemente
The baseball diamond has produced legendary athletes who have broken records and shattered barriers. But for many, Roberto Clemente is the most inspiring of all. With a cannon arm and lightning speed, he was an outstanding ballplayer. But the Puerto Rico native was also a dedicated humanitarian.
Special programming in conjunction with the exhibition:

  • Steve Blass on Baseball: A Pirate’s Life (January 21, 2012 – 6:00pm – 9:00pm) Steve Blass, former teammate and close friend of Roberto Clemente, helps the History Center celebrate the opening of the exhibition with a showing of the rare 1975 film, Roberto Clemente: A Touch of Royalty, that chronicles the contributions of Clemente. 

Find a Smithsonian Affiliate in your neighborhood here.
Find more Smithsonian traveling exhibitions and programs here.

“It’s more than just an instrument.” Smithsonian cultural specialist travels to Charlotte, NC, for Native American Heritage Celebration

/in , , , /by

I met Dennis Zotigh (Kiowa/Ohkay Owingeh/Santee Dakota), museum cultural specialist at the National Museum of the American Indian (NMAI), after he had finished a short performance in the rotunda at the museum. He had begun softly beating the drum and as it grew louder, heads appeared over the railings three floors up and visitors gathered from all over the museum. 

Dennis Zotigh at the National Museum of the American Indian.

 “There’s a technique in this.  It’s more than an instrument. It’s an embodiment of the human spirit and it speaks from spirit to spirit.  There is a natural progression that is not evident unless you know it’s happening,” said Zotigh. “I start very low and the louder it gets, people back up and a natural circle is made around the instrument drawing people all over to gather in the circle.”  

People in mid-conversation, couples arguing, and even children playing in the hallway naturally stopped to focus on his drumming. “It’s soothing. It speaks to them. And for just a few moments, they leave their problems. The drum is more than just an aesthetic piece. It’s an embodiment of the heartbeat of the Indian culture,” said Zotigh after the performance. 

Most days you can find Zotigh in the hallways and galleries at NMAI where he’s engaging with visitors and teaching them about Native American culture. He’s been asked everything from the most basic to the most scholarly of questions and is eager to share his knowledge with anyone.  A performer all his life, Zotigh has traveled all over the world performing for multicultural audiences and oftentimes introducing them to something they’ve never been aware of before. 

Zotigh performing a Hoop Dance in Sao Paolo, Brazil.

This November you can find Zotigh at The Charlotte Museum of History (CMH), a Smithsonian Affiliate in Charlotte, North Carolina, where he’ll be participating in the 3rd Annual American Indian Heritage Month Celebration. Never having been to Charlotte, Zotigh was invited by a former Smithsonian Affiliations Intern Partner, Brandie Macdonald (Choctaw/Chickasaw), whom he met while she interned in the Education Department at NMAI during the summer of 2011. At the CMH, Macdonald is Education and Volunteer Coordinator and has already taken the practical experience she learned on the national level from the Smithsonian and translated it to successful programming on the state level for docents and CMH’s educational programs. Zotigh’s appearance at the American Indian Heritage Month Celebration also coincides with the exhibition Native Words, Native Warriors, organized for travel by the Smithsonian Institution Traveling Exhibition Service, and currently on view at CMH.

At the American Indian Heritage Month Celebration, Zotigh will be participating in a blessing of the grounds, a hoop dance workshop, hand drum demonstration and a performance called “Musical Journey Through Indian Country: Diverse Songs from Alaska to Florida.”  He’s spoken before queens, attorney generals, heads of state, presidents, university students, and children with the goal of crossing cultural divides and reaching out to communities.  When he’s not traveling, Zotigh continues the conversation on his blog, Beyond FAQ: Let’s Talk, at NMAI. 

**Smithsonian Affiliates interested in bringing Smithsonian speakers like Dennis Zotigh to their neighborhoods should contact their Smithsonian Affiliations National Outreach Manager for more information.**

Remembering America’s Real War of Independence

/in , , /by

Most of us know little about the War of 1812.  What were its causes, when did it start, who were its heroes and how did it end?  If we remember anything at all, it may be the burning of Washington, D.C., the bombardment of Baltimore’s Fort McHenry – the event that inspired Francis Scott Key to pen our national anthem – and perhaps Andrew Jackson’s victory at the Battle of New Orleans (fought two weeks after the signing of the treaty that ended the war).  For most of us the rest is a long-forgotten chapter in dusty old textbooks.  An upcoming exhibition at the Smithsonian’s National Portrait Gallery will assemble a remarkable number of paintings and artifacts from the War of 1812 in an effort to remind us that it was this war that completed the unfinished business of the American Revolution and secured our true independence from the British, once and for all. 

The Star Spangled Banner at the National Museum of American History. Photo courtesy National Museum of American History.

As the 200th Anniversary of the War of 1812 approaches, two artifacts stand out as enduring symbols of this era:  the original Star Spangled Banner, on display at the Smithsonian’s National Museum of American History, and the USS Constitution, the victorious naval vessel, still commissioned and now docked at the Charlestown Navy Yard in Boston. 

The USS Constitution near the USS Constitution Museum in Boston. Photo by Smithsonian Affiliations.

On October 20, I had the honor of announcing our new Affiliation with the USS Constitution Museum, thus symbolically joining these two great artifacts into one family.  Both tell us much about the sacrifices of prior generations and the many hardships endured along the road to freedom. Both are also amazing examples of the combined efforts of generations of concerned citizens, public officials, historians and museum professionals to preserve these precious legacies  of our nation’s early and fragile years. 

We hope that the upcoming Bicentennial of the War of 1812 will draw further attention to the work that museums are doing to preserve our nation’s past and draw lessons for our future.  Are there any War of 1812 stories, artifacts, or historic landmarks in your communities?  Let us hear from you so that we can work together to present the fullest picture of this critical part of our history. 

Harold A. Closter
See more photos from Harold’s visit to the museum here.

Smithsonian Affiliations Director, Harold Closter, with USS Constitution commanding officers. Photo by Smithsonian Affiliations.

We want YOU! (to share your conference ideas with us)

/in , , , /by

2011 conference attendees at the roundtable session "What's the Big Idea?: Revitalizing Education Through Partnership and Collaboration." Photo by tony brown/imijphoto.com

Each June, we invite all of our Smithsonian Affiliates to Washington, D.C., to participate in our Smithsonian Affiliations National Conference.  We host sessions, workshops, tours, and receptions designed to give you more tools to make the most of your Affiliation.  We’re currently planning the 2012 conference, and would like your feedback. 

  • Is there a session you’d like us to organize? 
  • Is there a Smithsonian museum you’d like to visit in a behind-the-scenes tour? 
  • Are there resources that you’d like to have better access to? 
  • Are you working on an app?  What uses of technology would you like to share with your fellow Affiliates?

Please tell us!  Your input helps us craft a conference that helps you fulfill your organization’s mission and hopefully, inspires you in the year ahead. 

And of course, we’re interested in your dislikes too. 

  • Do we not allow enough time in between sessions? 
  • Would you like different speakers, food or transportation? 
  • Would you like us to bring back the ice cream social instead of a happy hour reception?  We want to know!

Please drop us a line!  Send all suggestions, comments, and critiques to BugbeeE@si.edu.  You’re our shareholders- help us do a better job.  Thank you!

Mark your calendar- The Affiliations National Conference is scheduled for June 12- 14, 2012!

2011 Conference photos:

An inspiring exhibition for your neighborhood

/in , , , , /by

"The Healing Power of Art" while on view at the Smithsonian's S. Dillon Ripley Center in 2010.

Thirty-five seconds. That’s all it took to forever change the world for millions of Haitians on January 12, 2010. Now imagine those 35 seconds from a child’s point of view.  

Soon after the devastating earthquake, first lady of Haiti Elisabeth D. Préval called on Haitian artist Philippe Dodard and his fellow artists, as well as psychologists, educators and politicians, to create a safe place for children to express their feelings through art. Operating from converted buses at two sites in Port-au-Prince, Plas Timoun (The Children’s Place) uses the power of the visual and performing arts to bring healing to children, ages 6-10. 

Exhibition works of art in the concourse of the S. Dillon Ripley Center.

The simple works on paper created immediately following the earthquake were dark in color and imagery. Soon after, drawings began to reveal glimmers of hope and healing. The children of Plas Timoun were using brighter colors and depicting the innocence of childhood and their vision for a brighter future, attesting to the resilience of a nation and the power of art. With the help of Plas Timoun, these children will move more confidently toward their future and the lasting reconstruction of Haiti. “This exhibition gives the children of Haiti a chance to present to the world their vision of themselves and of the reconstruction of their country,” said Préval. “Their voices, so well expressed by colors and emotions, reflect our imaginary and social reality as vectors encouraging viewers to think with us of solutions to the problems facing contemporary Haiti.” 

Simple works on paper in "The Healing Power of Art" reveal glimmers of hope and healing.

Nearly 100 paintings and drawings created by Haiti’s young people at Plas Timoun are featured in the exhibition The Healing Power of Art: Works of Art by Haitian Children after the Earthquake, organized by the National Museum of African Art. Now, Smithsonian Affiliates can be the first to host this inspiring exhibition in their own community.  

While several of the artworks depict images relating to death and destruction, they also include illustrations of houses – both standing and damaged – with local architectural features, planes and helicopters reflecting rescue and recovery efforts, as well as colorful Haitian flags, nature scenes, abstract designs and children at play. Drawings by former First Lady Elisabeth Préval, First Lady of the United States, Michelle Obama, and Second Lady of the United States, Jill Biden who participated in a painting session at Plas Timoun, are included. 

"The Healing Power of Art" at the S. Dillon Ripley Center in 2010.

In addition, the exhibition includes three videos: Thirty Five Long Seconds: Haiti’s Deadly Earthquake, an 18-minute film chronicling the earthquake and its aftermath written and narrated by Mario L. Delatour, and two short video segments, one in which Dodard discusses the concept behind Plas Timoun and the other on a visit to Haiti by Mrs. Obama and Dr. Biden. An outstanding beaded Haitian flag, map of Haiti and didactic panels complement the exhibition. 

For more information on booking this exhibition, click here to download the exhibition prospectus.