Tag Archive for: smithsonian institution

Smithsonian Insider: Spring 2024

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You may remember receiving the Smithsonian Insider digital communication in your inbox twice per year, in addition to the Affiliate Collaborator newsletter. We are streamlining our communications and combining the publication of the Insider with the Collaborator. Instead, you’ll receive high-level Smithsonian news, Smithsonian strategic initiatives, and highlights from the work of Smithsonian scholars and experts in your regular Affiliate Collaborator newsletter. We hope this reduces the number of emails in your inbox while still bringing you opportunities and resources from the Smithsonian in a more concise digital communication.

SMITHSONIAN STRATEGIC INITIATIVES

The Human Remains Task Force, established in 2023, completed its work and submitted their recommendations to Secretary Bunch in January 2024. The thirteen-member task force was assembled to make policy recommendations to the Secretary concerning human remains in the custody of the Smithsonian. The full report is now published and available to the public. In sum, the task force recommends the Smithsonian develop a policy regarding the treatment and return of human remains in its care consistent with principles set forth in the report. Read the full report.

SMITHSONIAN IN THE NEWS

The Smithsonian’s National Air and Space Museum has announced the names and estimated opening timeline for the final 12 galleries to open as part of the renovation of its building in Washington, D.C.

World War I: The Birth of Military Aviation Gallery Rendering. Smithsonian Institution.

SMITHSONIAN STAFF UPDATES

Welcome to new Smithsonian leadership:

  • Elizabeth C. Babcock, director, Smithsonian American Women’s History Museum (effective June 3)
  • Sanchita Balachandran, director, Smithsonian’s Museum Conservation Institute (effective April 8)
  • Dalila Scruggs, Augusta Savage Curator of African American Art (effective April 22)
  • Deborah Rosenberg, executive editor, Smithsonian magazine
Smithsonian Insider logo

Look for this Smithsonian Insider icon in the Affiliate Collaborator and catch up on news coming from the Smithsonian. If you have any questions or would like to learn more about anything you see in one of these posts, please let us know.

Logo Lowdown: 2024 edition

Approved Smithsonian Affiliate sunburst logo with the word affiliate italicized beneath the word smithsonian all under the blue and yellow sunburst.

Did you know that the Smithsonian sunburst is one of the most widely recognized brands in the U.S., and our Affiliates are the only organizations authorized to use a special sunburst logo in their materials? It’s true!

As an exclusive benefit of being a Smithsonian Affiliate, your organization can use the Smithsonian Affiliate logo or taglines for marketing materials, brochures, and signs. It’s a great way to show your association with the Smithsonian to your visitors and stakeholders. So, as a refresher or a quick intro, here’s an overview of the logos you are approved to use, how to use them correctly, and a few other tips. This information is always accessible on our website on our Logos & Taglines page, and the Smithsonian Affiliations team is also always happy to chat with you if you have any questions.

What logos are approved to use?

There are two logos approved for Affiliate use:

  • Smithsonian Affiliate logo
  • Smithsonian Affiliate Membership Program logo (ONLY for those Affiliates participating in the membership benefit, however the same rules and guidelines apply)

The Smithsonian Affiliate logo can be used on marketing materials, websites, newsletters, brochures, and more. If you are considering the logo for any fundraising, donation, or giving material, please contact the Smithsonian Affiliations office first. Generally, the Smithsonian Affiliate logo may not be used on fundraising material, but please reach out to us to see if it may be an appropriate case.

The Smithsonian Affiliate logo has been updated to emphasize the Smithsonian connection. The word “Affiliate” is italicized in the lockup to indicate the association with the Institution. If the logo you are using does not have this lockup, please contact us to receive an updated logo package.

Where do I find the logos?

The Smithsonian Affiliate logo can be requested from the Smithsonian Affiliations office. Please contact your National Outreach Manager or email Affiliates@si.edu to obtain the logo package. All logo and/or tagline use must be reviewed and approved by the Affiliations office.

What are the approved taglines?

Example of the "A Smithsonian Affiliate" tagline on the Southern Museum logo.

Smithsonian Affiliates may choose to use one of two taglines if using the logo is not appropriate on your material. The taglines “In Association with the Smithsonian” or “A Smithsonian Affiliate” can be used as an alternative to the logo. Please note, if including the tagline in your own logo lockup, you must retain a version without a Smithsonian mention should your logo ever be used for any fundraising material.

May I use the logo and tagline together?

No. The logo and tagline are two separate marketing items for Affiliate use, they should not be used in the same visual lockup or sentence.

Are there any specific tips for Affiliates?

Screengrab of the Smithsonian Affiliate section of the Rockwell Museum's website.

Yes! Check out these tips and documents to help guide you in communicating about your Affiliation:

  1. Familiarize yourself with our Logo & Tagline Guidelines.
  2. Read these tips for communicating your Affiliation.
  3. Add information on your website in your “About Us” section to explain your connection with the Smithsonian. See The Rockwell Museum, Michigan State University Museum, and The Mayborn Museum for examples of large and small ways to include this on your website.
  4. Talk to your National Outreach Manager to discuss how you may be considering applying the logo or tagline to your material.
  5. Send us drafts! Not only do we love to see your material, you must receive approval from the Smithsonian Affiliations office prior to any use of the Smithsonian name and/or logos. Send your drafts to Elizabeth Fingar, Communications and Professional Development Manager- FingarE@si.edu.

What else should you keep in mind?

The smithsonian sunburst is black in this example of what NOT to do with the logo
  • Everything must be approved by the Affiliations office. Please do not use the logo or tagline without first checking with us. We have a very quick turnaround time for approvals and will work with you to meet your deadlines.
  • The Smithsonian is always Institution, never Institute.
  • The sunburst should never appear dark or clash with any other colors in your design.
  • The logo cannot be used as part of a sentence.
  • The logo cannot be altered in any way.

This may seem daunting, but your team at Smithsonian Affiliations will work with you! We are here to help you align your organization with the Smithsonian brand and show your audiences and stakeholders how you are connected to our network of Smithsonian collaborators. If you’d like a refresher, please contact us and we’ll be happy to schedule a call to talk about co-branding and other ways to collaborate to share the incredible work you are doing in your communities.

Here, There, and Everywhere: How a 1970s Magazine Created LGBTQ+ Space, Community, and Paved the Way for Change

Many thanks to Eli Boldt, 2023 Smithsonian Leadership for Change intern, for this guest post. Boldt was one of several interns identifying and writing stories about underrepresented topics for Smithsonian Affiliations. This is one of two stories they completed this summer. For more LGBTQ+ resources from the Smithsonian, visit the Pride events pages

Cover of Drag magazine featuring a figure in a black spaghetti strap dress with a slit to the knee, holding a feather boa, with dark hair curled and piled on top of her head.

Thursday afternoon, March 2, 2023, Bill Lee signed into law a bill that banned gender-affirming care for minors. On the same day, Lee, a Republican governor in Tennessee, signed a bill that restricted drag performance.

Over 50 years earlier, Lee Brewster and Bunny Eisenhower, two figures vocal in and vital to the drag and trans* movement, founded Queens Liberation Front (QLF). The founding was in response to the Stonewall Uprising that had happened a year earlier and the following explosion of the gay rights movement. QLF officially began operations when it participated in the Christopher Street Liberation Day Parade. Brewster, Eisenhower and others marched in the parade. The experience — inked in words as well as many black and white photographs of the parade — is detailed in the first issue of Drag Magazine. Drag was first published in 1971, by QLF. It was originally called Drag Queens, but later shortened to Drag. The parade is described in three of the first few pages of the first issue. Brewster and Eisenhower proudly publish themselves marching, holding banners, under signs, in heels. Among the photos is a paragraph detailing how QLF was advised not to show up in drag. The police would arrest them. “However, since the purpose of the organization is to change the law… this was as good time as any to start the offensive,” Drag printed. No arrests were made.

If QLF was created to change the laws, Drag was a part of that mission. But it held a higher purpose as well: community. Drag recorded history as it happened, shared resources with a wide audience, and showcased the community. It led the drag and trans* community through triumphs and griefs, through celebrations and arrests, through pop culture moments and protests. Brewster, a gay drag activist who used he/him pronouns throughout his life, served as publisher and editor of Drag. The editorial note from that first issue reads, “Each day… I run into the attitude that drag… will never be legalized, here in the United States. Even the transvestite and drag queen, himself feels this way.”

Each issue of Drag had a front page displaying a cartoon of a conventionally attractive, slim woman wearing beautiful clothing, dazzling jewelry, her hair “done up,” and stylized makeup on her face. It is both a farce and a welcoming. The magazines are scattered with pictures of drag queens and trans women. But within those celebratory displays, there is also important, often devastating, news.

Page excerpt from Drag magazine describing the Christopher Street Liberation Day Parade in 1971.

The trans* and drag communities felt they were being left behind by the gay rights movement and the magazine was a place where that feeling of neglect from the wider queer community was expressed. Drag got to uplift a community in the shadows, but it also had to grapple with the violence that came with it.

In its first publication came the news of the death of Laverne Turner, but also the news that drag had allegedly been legalized in Italy. These statements stand side by side, in company with each other. Turner had been dressed as a woman; the officers said Turner was shooting at them although witnesses alleged she was running away. Brewster, vacationing in Rome, noted that Italian men go wild over drag queens.

To be the record keeper of history is to gather the good and the bad and hold them in tandem. Each event is made more meaningful because of the other. Drag, published through the 1980s, was a calling, a community, a celebration; it was a declaration of existence.

Back in present day: on June 3, 2023, federal Judge Thomas Parker ruled that Tennessee’s drag ban was unconstitutional. “We’ve got a long way to go, baby,” reads the editorial from Drag’s first issue. That much was as true then as it is now. The editorial continues, underlined in black, “we have to start sometime and somewhere!”

Author’s note: The use of trans* is deliberate. I used information from Duke University Press, Transgender Studies Quarterly (see source list) which discusses the vocabulary, applicability of some transgender terminology. The asterisk (*), or star, is a symbol with multiple meanings and applications that can mark a bullet point in a list, highlight or draw attention to a particular word or phrase, indicate a footnote, or operate as a wildcard character in computing and telecommunications. In relation to transgender phenomena, the asterisk is used primarily in the latter sense, to open up transgender or trans to a greater range of meanings. 

Source List

The Drag Times newsletter headline "Highest Court Leaves Texas TVs Illegal"

2021 Affiliations Virtual Conference was a Huge Success!

Thank you to our Smithsonian and Affiliate speakers and attendees who participated in our 2021 Virtual Conference, October 26-28, and made it an extraordinary success! 2021 saw the highest-ever conference attendance in the history of the Affiliations National Conference, which is a testament to our conference program and the introduction of Affiliate Institutional registration, allowing even more Affiliate colleagues to attend this year.

“I greatly appreciated the virtual nature of this conference. I don’t think I would have been able to attend if it were in person. I found it interesting to hear from so many different museums. Thank you for making this conference accessible to museums with tight budgets!“

Smithsonian Affiliate attendee

Throughout three days and 30 sessions and workshops, Smithsonian, Affiliate, and guest speakers led thought-provoking sessions on collaboration opportunities, inequity in exhibition development, creating inclusive HR practices, engaging communities in civic action, best practices in exhibition writing, and more. A dynamic opening session centered youth advocates and their views on the future of the museum field alongside Ellen Stofan, Under Secretary for Science & Research, and Kevin Young, Director of the National Museum of African American History & Culture.

In addition to the sessions and workshops, the Smithsonian Resource Fair library provided Smithsonian and Affiliate colleagues a virtual booth where they could upload documents, videos, and other resources for conference attendees to download and share with their organizations. Registered attendees can access and download these resources on the Virtual Attendee Hub until January 20, 2022.

Screen grab of the virtual attendee hub
Registered attendees can download resources on the Virtual Attendee Hub

“Sensational conference! I even wrote to my directors to thank them for making this possible. The platform used for the virtual conference was the easiest and most sophisticated I’ve experienced. The presenters were super, and I learned so much. Kudos to moderators–well done with links provided to us in the chat as well as lots of good interaction. I loved the conference!”

Smithsonian Affiliate attendee

All Smithsonian and Affiliate colleagues, regardless of registration, are able to view selected recordings from the Virtual Conference on our Smithsonian Affiliations website or YouTube playlist. If you require transcripts or have any questions, please email us at affiliates@si.edu.

Mark your calendars for when we next meet for an Affiliations Conference, October 23-25, 2022!

National Museum of American History Is Looking for Your Childhood Gaming Photos

Three people stand at pinball machines
Photo by Louie Castro-Garcia on Unsplash

Did you play video games or computer games as a kid? Did you go to arcades? Do you have old photos of yourself playing these games or holding controllers or a console (for instance, holding an unopened box in a holiday photo)? If so, we want to hear from you!

The National Museum of American History team is working on a video for an exhibition space that will feature photos of people playing video games, computer games, and arcade games from their childhood. If you submit a photo, you might even have a chance to appear in the video talking about your memories of playing games!

What they are looking for:

Photos of you, your friends, and your relatives from the early 1980s through early 2000s playing video, computer, or arcade games, and the stories that go along with them. What game were you playing in the photo? Was it your favorite? Who else, if anyone, were you playing with? Where and when was the photo taken? Do you remember how the controllers felt in your hands? Do you remember how it felt to win the game or advance to the next level? We welcome contributors from across the globe, but the photo should relate to gameplay in the United States.

Gather your photo (or photos), scan it, or snap a quick image and e-mail it to NMAH-VideoGames@si.edu. Include your name, an e-mail or phone number where we can reach you, and a few sentences about the photo and your memories of playing video games or arcade games. Deadline: December 31, 2021

Smithsonian Affiliations at 25: Chapter 5: Moving Forward, Together

Affiliations Anniversary Series: 25 Years in Your Neighborhood
Chapter 5: Moving Forward, Together
#SmithsonianAffiliations25

smithsonian 150th anniversary logo

In 1996, the Smithsonian created this logo to celebrate its 150th anniversary.

In 1993, the Smithsonian’s Board of Regents established the Commission on the Future of the Smithsonian and tasked the group with “an examination of the Smithsonian, its mandate and its roles, and an examination of the cultural, societal, and technological factors that influence its capacity to act.” Two years later, the Commission issued a report that identified a range of strategies for the Smithsonian to consider as it approached its 150th birthday—strategies aimed at making the Institution more relevant and accessible to the American public and enabling it to fulfill its mission as a national organization.

The 1995 report concluded, “The Smithsonian cannot achieve the nation’s expectations by itself,” and set out a series of recommendations around education; collections, research, and exhibitions; governance; and the future. Embedded in this report were the following recommendations:

  • Emphasize education both on the Mall and across the country through electronic means, traveling and collaborative exhibitions, and public programs,
  • Build collaborative partnerships with other museums, research centers, and educational institutions throughout the nation, and
  • Shape a master plan for maintenance of the priceless collections, including the sharing of collections through long-term or permanent loans to partner institutions.

Crowd on National Mall in 1996

As the Smithsonian’s 150th birthday celebration draws to a close, the crowd gathers in front of the Castle for an evening performance. Photo by Richard Hofmeister. Smithsonian Institution Archives, Acc. 09-257.

Just a year later, on the occasion of the Smithsonian’s 150th anniversary, I. Michael Heyman, then Secretary of the Smithsonian, announced the Smithsonian Affiliations program as one of several outreach initiatives introduced to fulfill the recommendations of the Commission and expand the Institution’s national reach: “The Smithsonian of the future must provide access to its collections and its vast resources. There is no value in being just the largest if we do not share the Smithsonian with as many people as possible. It means making sure those who cannot travel to Washington can somehow experience and enjoy the Smithsonian.”

In addition to the Affiliations program, the Smithsonian launched its first-ever website and the traveling exhibition, America’s Smithsonian, which featured some of the Institution’s most prized artifacts, including First Ladies’ gowns, Arthur Ashe’s tennis racquet, and the Apollo 14 command module, and reached an estimated 10 million people across the nation.

The Affiliations program was formally approved by the Board of Regents on September 15, 1996: “VOTED that the Board of Regents adopts the statement of policy and guidelines…on the Smithsonian Institution’s collections-based affiliations…”

A person sits at a workshop desk with the Apollo 13 Odyssey command module in the shadows.

Master restoration specialist Greg “Buck” Buckingham oversaw the evaluation, identification and reinstallation of more than 80,000 components of the Apollo 13 spacecraft Odyssey. This view shows Buckingham inside Odyssey’s restoration lab, which was glassed in to allow the public to view the historic project. Photo courtesy of the Cosmosphere, Hutchinson, KS.

The first Affiliate joined the program in early 1997. By the end of that year, there were 21 Affiliate collaborators across the U.S . As we entered the 21st century, more than 50 mission-aligned organizations made up the Affiliate network and were collaborating with the Smithsonian to bring its resources to their communities. In these first years, the Affiliations program was primarily envisioned as a way to extend the impact of the America’s Smithsonian exhibition and reach communities across the nation with objects from the Smithsonian’s collections. Affiliate organizations could borrow objects on long-term loan, connecting the Smithsonian with their audiences in ways that were meaningful, relevant, and accessible. Working with the National Air & Space Museum, the Cosmosphere in Hutchinson, KS began the restoration of the Apollo 13 Command Module Odyssey in 1995, as part of an effort to re-assemble the historic spacecraft. Made famous by the movie Apollo 13 which tells of the greatest rescue effort of a manned space flight, Odyssey went on display at the Cosmosphere in 1998, the same year the museum became an Affiliate. The command module remains on display today in the Cosmosphere’s Apollo Gallery, and the Affiliate continues to provide critical restoration services to the Smithsonian through its SpaceWorks division.

Over our 25-year history, Affiliations has grown far beyond its initial mandate to share objects with Affiliate organizations and has lived up to the Institution’s ambition to educate beyond the National Mall and build collaborative relationships with other museums and cultural organizations. Today, with more than 200 Affiliate collaborators in 46 states, Panama, and Puerto Rico, the Smithsonian is able to engage communities across the nation in myriad ways, many of which have been highlighted in our blog over the last several months. As a network, we are able to spark curiosity and learning, inspire a deeper understanding of our world, and work together to create a better tomorrow.

As the African proverb says, “If you want to go fast go alone. If you want to go far, go together.” As we at Smithsonian Affiliations celebrate our 25th anniversary, we look forward to many more years of moving forward together with our Affiliate collaborators and continuing the Smithsonian’s important work grounded in the increase and diffusion of knowledge.

Smithsonian yellow sunburst with 175 to the right of it

Celebrate Smithsonian Affiliations’ 25th anniversary on social media with us September 15, 2021, #SmithsonianAffiliations25! All Smithsonian Affiliates are invited to share a memory as a Smithsonian Affiliate with us using the hashtag #SmithsonianAffiliations25. Make sure to tag @SIAffiliates on Twitter or @SmithsonianAffiliates on Instagram! Contact us for more info.

Catch up on our whole 25th Anniversary blog series here: