Tag Archive for: smithsonian affiliates

“It’s more than just an instrument.” Smithsonian cultural specialist travels to Charlotte, NC, for Native American Heritage Celebration

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I met Dennis Zotigh (Kiowa/Ohkay Owingeh/Santee Dakota), museum cultural specialist at the National Museum of the American Indian (NMAI), after he had finished a short performance in the rotunda at the museum. He had begun softly beating the drum and as it grew louder, heads appeared over the railings three floors up and visitors gathered from all over the museum. 

Dennis Zotigh at the National Museum of the American Indian.

 “There’s a technique in this.  It’s more than an instrument. It’s an embodiment of the human spirit and it speaks from spirit to spirit.  There is a natural progression that is not evident unless you know it’s happening,” said Zotigh. “I start very low and the louder it gets, people back up and a natural circle is made around the instrument drawing people all over to gather in the circle.”  

People in mid-conversation, couples arguing, and even children playing in the hallway naturally stopped to focus on his drumming. “It’s soothing. It speaks to them. And for just a few moments, they leave their problems. The drum is more than just an aesthetic piece. It’s an embodiment of the heartbeat of the Indian culture,” said Zotigh after the performance. 

Most days you can find Zotigh in the hallways and galleries at NMAI where he’s engaging with visitors and teaching them about Native American culture. He’s been asked everything from the most basic to the most scholarly of questions and is eager to share his knowledge with anyone.  A performer all his life, Zotigh has traveled all over the world performing for multicultural audiences and oftentimes introducing them to something they’ve never been aware of before. 

Zotigh performing a Hoop Dance in Sao Paolo, Brazil.

This November you can find Zotigh at The Charlotte Museum of History (CMH), a Smithsonian Affiliate in Charlotte, North Carolina, where he’ll be participating in the 3rd Annual American Indian Heritage Month Celebration. Never having been to Charlotte, Zotigh was invited by a former Smithsonian Affiliations Intern Partner, Brandie Macdonald (Choctaw/Chickasaw), whom he met while she interned in the Education Department at NMAI during the summer of 2011. At the CMH, Macdonald is Education and Volunteer Coordinator and has already taken the practical experience she learned on the national level from the Smithsonian and translated it to successful programming on the state level for docents and CMH’s educational programs. Zotigh’s appearance at the American Indian Heritage Month Celebration also coincides with the exhibition Native Words, Native Warriors, organized for travel by the Smithsonian Institution Traveling Exhibition Service, and currently on view at CMH.

At the American Indian Heritage Month Celebration, Zotigh will be participating in a blessing of the grounds, a hoop dance workshop, hand drum demonstration and a performance called “Musical Journey Through Indian Country: Diverse Songs from Alaska to Florida.”  He’s spoken before queens, attorney generals, heads of state, presidents, university students, and children with the goal of crossing cultural divides and reaching out to communities.  When he’s not traveling, Zotigh continues the conversation on his blog, Beyond FAQ: Let’s Talk, at NMAI. 

**Smithsonian Affiliates interested in bringing Smithsonian speakers like Dennis Zotigh to their neighborhoods should contact their Smithsonian Affiliations National Outreach Manager for more information.**

Remembering America’s Real War of Independence

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Most of us know little about the War of 1812.  What were its causes, when did it start, who were its heroes and how did it end?  If we remember anything at all, it may be the burning of Washington, D.C., the bombardment of Baltimore’s Fort McHenry – the event that inspired Francis Scott Key to pen our national anthem – and perhaps Andrew Jackson’s victory at the Battle of New Orleans (fought two weeks after the signing of the treaty that ended the war).  For most of us the rest is a long-forgotten chapter in dusty old textbooks.  An upcoming exhibition at the Smithsonian’s National Portrait Gallery will assemble a remarkable number of paintings and artifacts from the War of 1812 in an effort to remind us that it was this war that completed the unfinished business of the American Revolution and secured our true independence from the British, once and for all. 

The Star Spangled Banner at the National Museum of American History. Photo courtesy National Museum of American History.

As the 200th Anniversary of the War of 1812 approaches, two artifacts stand out as enduring symbols of this era:  the original Star Spangled Banner, on display at the Smithsonian’s National Museum of American History, and the USS Constitution, the victorious naval vessel, still commissioned and now docked at the Charlestown Navy Yard in Boston. 

The USS Constitution near the USS Constitution Museum in Boston. Photo by Smithsonian Affiliations.

On October 20, I had the honor of announcing our new Affiliation with the USS Constitution Museum, thus symbolically joining these two great artifacts into one family.  Both tell us much about the sacrifices of prior generations and the many hardships endured along the road to freedom. Both are also amazing examples of the combined efforts of generations of concerned citizens, public officials, historians and museum professionals to preserve these precious legacies  of our nation’s early and fragile years. 

We hope that the upcoming Bicentennial of the War of 1812 will draw further attention to the work that museums are doing to preserve our nation’s past and draw lessons for our future.  Are there any War of 1812 stories, artifacts, or historic landmarks in your communities?  Let us hear from you so that we can work together to present the fullest picture of this critical part of our history. 

Harold A. Closter
See more photos from Harold’s visit to the museum here.

Smithsonian Affiliations Director, Harold Closter, with USS Constitution commanding officers. Photo by Smithsonian Affiliations.

We want YOU! (to share your conference ideas with us)

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2011 conference attendees at the roundtable session "What's the Big Idea?: Revitalizing Education Through Partnership and Collaboration." Photo by tony brown/imijphoto.com

Each June, we invite all of our Smithsonian Affiliates to Washington, D.C., to participate in our Smithsonian Affiliations National Conference.  We host sessions, workshops, tours, and receptions designed to give you more tools to make the most of your Affiliation.  We’re currently planning the 2012 conference, and would like your feedback. 

  • Is there a session you’d like us to organize? 
  • Is there a Smithsonian museum you’d like to visit in a behind-the-scenes tour? 
  • Are there resources that you’d like to have better access to? 
  • Are you working on an app?  What uses of technology would you like to share with your fellow Affiliates?

Please tell us!  Your input helps us craft a conference that helps you fulfill your organization’s mission and hopefully, inspires you in the year ahead. 

And of course, we’re interested in your dislikes too. 

  • Do we not allow enough time in between sessions? 
  • Would you like different speakers, food or transportation? 
  • Would you like us to bring back the ice cream social instead of a happy hour reception?  We want to know!

Please drop us a line!  Send all suggestions, comments, and critiques to BugbeeE@si.edu.  You’re our shareholders- help us do a better job.  Thank you!

Mark your calendar- The Affiliations National Conference is scheduled for June 12- 14, 2012!

2011 Conference photos:

An inspiring exhibition for your neighborhood

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"The Healing Power of Art" while on view at the Smithsonian's S. Dillon Ripley Center in 2010.

Thirty-five seconds. That’s all it took to forever change the world for millions of Haitians on January 12, 2010. Now imagine those 35 seconds from a child’s point of view.  

Soon after the devastating earthquake, first lady of Haiti Elisabeth D. Préval called on Haitian artist Philippe Dodard and his fellow artists, as well as psychologists, educators and politicians, to create a safe place for children to express their feelings through art. Operating from converted buses at two sites in Port-au-Prince, Plas Timoun (The Children’s Place) uses the power of the visual and performing arts to bring healing to children, ages 6-10. 

Exhibition works of art in the concourse of the S. Dillon Ripley Center.

The simple works on paper created immediately following the earthquake were dark in color and imagery. Soon after, drawings began to reveal glimmers of hope and healing. The children of Plas Timoun were using brighter colors and depicting the innocence of childhood and their vision for a brighter future, attesting to the resilience of a nation and the power of art. With the help of Plas Timoun, these children will move more confidently toward their future and the lasting reconstruction of Haiti. “This exhibition gives the children of Haiti a chance to present to the world their vision of themselves and of the reconstruction of their country,” said Préval. “Their voices, so well expressed by colors and emotions, reflect our imaginary and social reality as vectors encouraging viewers to think with us of solutions to the problems facing contemporary Haiti.” 

Simple works on paper in "The Healing Power of Art" reveal glimmers of hope and healing.

Nearly 100 paintings and drawings created by Haiti’s young people at Plas Timoun are featured in the exhibition The Healing Power of Art: Works of Art by Haitian Children after the Earthquake, organized by the National Museum of African Art. Now, Smithsonian Affiliates can be the first to host this inspiring exhibition in their own community.  

While several of the artworks depict images relating to death and destruction, they also include illustrations of houses – both standing and damaged – with local architectural features, planes and helicopters reflecting rescue and recovery efforts, as well as colorful Haitian flags, nature scenes, abstract designs and children at play. Drawings by former First Lady Elisabeth Préval, First Lady of the United States, Michelle Obama, and Second Lady of the United States, Jill Biden who participated in a painting session at Plas Timoun, are included. 

"The Healing Power of Art" at the S. Dillon Ripley Center in 2010.

In addition, the exhibition includes three videos: Thirty Five Long Seconds: Haiti’s Deadly Earthquake, an 18-minute film chronicling the earthquake and its aftermath written and narrated by Mario L. Delatour, and two short video segments, one in which Dodard discusses the concept behind Plas Timoun and the other on a visit to Haiti by Mrs. Obama and Dr. Biden. An outstanding beaded Haitian flag, map of Haiti and didactic panels complement the exhibition. 

For more information on booking this exhibition, click here to download the exhibition prospectus.

Museums’ Futures Rely on Relevance

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Special thanks to Ellen Rosenthal, President and CEO at Conner Prairie Interactive History Park, a Smithsonian Affiliate in Fishers, Indiana, for this guest post.

Around 500 BCE the legendary Greek philosopher Heraclitus declared that the only constant is change. Imagine what he would say today. 

For more than a quarter century museums have been a central part of my life (Conner Prairie Interactive History Park since 1999).  It’s safe to say that I expected the world to change during my career, but at this rate?  In retrospect, I was clueless. 

Entering Dupont, part of the 1863 Civil War Journey at Conner Prairie. Photo courtesy Conner Prairie.

We museum leaders find ourselves in the midst of a digital revolution, globalization, new discoveries in the way people learn and retain information, the manner(s) in which information is conveyed,  economic challenges (for us and for our guests), and attention spans that seem to shrink with the launch of every new Smartphone app.  

So what are we to do with this tsunami of challenges facing our industry if we are to avoid being relegated to another heap within history?   

Museums must not only find ways to engage today’s sophisticated and restless consumers, but we must recognize a shared need to remain relevant – to keepup with change.  My 20-year-old son once challenged me, “Why do I need to go to Conner Prairie when I can experience time-travel on my laptop?” Conner Prairie has an answer. 

The Depot in the 1863 Civil War Journey at Conner Prairie. Photo courtesy Conner Prairie.

The shared purpose that we embrace at Conner Prairie is to create intergenerational learning “exhibits” that pique curiosity, generate positive attitudes toward learning and encourage grandparents, parents, teachers and children to share experiences that spark conversation. 

Although there are no long-term studies to prove the importance of museums to educational attainment, research on the summer learning gap shows that underprivileged students fall behind their middle-class classmates, because they do not visit museums or have other out-of-school learning experiences over the summer. There is an important role for museums to play in sustaining America’s educational competitiveness.  

Conner Prairie seeks to make it easier for entire families of all income levels to share learning experiences by first, making those experiences exciting enough to leave home for, and by second, offering reduced admission based on need through the Access Program, which offers $1 admission to any Hoosier family on public assistance. 

A Raided Warehouse in the 1863 Civil War Journey at Conner Prairie. Photo courtesy Conner Prairie.

We understand that if we, as a contemporary museum, are to remain relevant and at least within a thoroughbred’s length of change we must do the following: 

  1. Look outside the museum field for models.
    Consider who or what engages all family members regardless of age.  Movie maker Pixar is an example, not in terms of costs, but in the way it ingeniously creates simultaneous plot lines – one that moves and amuses adults, another that speaks to kids.
  2. Create experience. In our recent Civil War Journey experience we used technology but not for technology’s sake. As our consultants put it: “It isn’t the whiz-bang that matters, it’s the story the whiz-bang is trying to bring to life.”
  3. Program for diverse audiences. If you want to engage diverse multi-generational audiences, make sure that everyone sees someone with whom they can identify. The stars of our Civil War  exhibit are a 16-year-old girl; an 18-year-old escaped slave and a 12-year-old message boy. 

Seventy-seven years after our founding we continue to discover that our founder Eli Lilly had at least part of the answer to our museum-industry dilemma: “nothing is done that cannot be done better.”  Keep an eye on the way lives are changing and a loose grip on tradition and relevance will take care of itself.

Ellen M. Rosenthal – President and CEO
Conner Prairie Interactive  History Park
Fishers, Indiana
(317) 776.6000

Civil War reenactors from throughout the Midwest portrayed Morgan’s Raiders during the creation of Conner Prairie’s new 1863 Civil War Journey: Raid on Indiana. © Conner Prairie

Affiliates invited to share 150th Civil War activities via Smithsonian social media

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The General Locomotive at the Southern Museum of Civil War and Locomotive History (Kennesaw, GA). Photo © Southern Museum of Civil War & Locomotive History.

In April 1862, as train passengers and crews were eating breakfast in Big Shanty (modern Kennesaw, Georgia), a band of Union Civil War spies led by James J. Andrews stole the General locomotive from under the watchful eyes of guards at nearby Confederate Camp McDonald. Destroying telegraph wires and uprooting tracks in their escape north, the raiders would leave a path of destruction to the Western & Atlantic Railroad through the North Georgia Mountains. Conductor William Fuller and Confederates pursued “Andrews Raiders” using three different locomotives and caught them outside Chattanooga, Tennessee. Today, visitors to the Southern Museum of Civil War and Locomotive History, a Smithsonian Affiliate in Kennesaw, Georgia, can follow in the daring footsteps of William Fuller as he chases “Andrews Raiders” through the mountains, see the General locomotive itself, and participate in upcoming commemorative events.  

https://www.civilwar150.si.edu/

Smithsonian Affiliates across the U.S. are hosting events, exhibitions and highlighting artifacts like the General locomotive in Kennesaw, GA, throughout the 150th Anniversary of the Civil War. We’re inviting all Affiliates to promote their artifacts, blog, online exhibitions, upcoming exhibitions, events and anything related to the Civil War 150th anniversary so they can be highlighted on the Smithsonian Civil War 150 Facebook page and the Affiliate museum listed on the Smithsonian’s Civil War 150 website. 

 

To have your Affiliate highlighted:

  • Submit your events, exhibitions, blog posts, and artifacts to Elizabeth Bugbee
  • Send your own Facebook and Twitter info so we can “like” or “follow” your page
  • Send “This Day in Civil War History” stories from your community, highlight a Civil War expert from your neighborhood, talk about an artifact in your collection. the possibilities are limitless!
  • We’d love to go year-by-year, starting with 1861, but don’t let that stop you from submitting any information. We want to hear about anything Civil War-related at your organization!  

Smithsonian Affiliates are an important educational resource for visitors who are unable to travel to Washington, D.C., for commemorative events at the Smithsonian.  Let’s connect Civil War enthusiasts, historians, and fans of the Smithsonian to the resources available in Affiliate neighborhoods! 

Affiliates featured on the Smithsonian’s Civil War 150 website: (not listed? Email Elizabeth Bugbee)

Historic Arkansas Museum (Little Rock, AR)
Southern Museum of Civil War and Locomotive History (Kennesaw, GA)
Conner Prairie (Fishers, IN)
Baltimore & Ohio Railroad Museum (Baltimore, MD)
Lowell National Historical Park (Lowell, MA)
American Textile History Museum (Lowell, MA)
North Carolina Museum of History (Raleigh, NC)
National Underground Railroad Freedom Center (Cincinnati, OH)
Oklahoma Historical Society (Oklahoma City, OK)
National Museum of American Jewish History (Philadelphia, PA)
The National Civil War Museum (Harrisburg, PA)
The Senator John Heinz History Center (Pittsburgh, PA)
South Carolina State Museum (Columbia, SC)
American Civil War Center at Historic Tredegar (Richmond, VA)
Kenosha Public Museum (Kenosha, WI) 

Morgan's Raiders

Civil War reenactors from throughout the Midwest portrayed Morgan’s Raiders during the creation of Conner Prairie’s new "1863 Civil War Journey: Raid on Indiana."

Don’t forget to “like” the Smithsonian Civil War 150 Facebook page!