Tag Archive for: Smithsonian Affiliate

2014 Visiting Professionals Program

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One of the exclusive benefits of being a Smithsonian Affiliate is the opportunity to apply for the Affiliations Visiting Professionals Program. Accepted Affiliate staff members get a program tailored to their project needs which can lead to new collaborations, new loans, new professional skills and endless networking opportunities. But don’t just listen to us. Here’s what your fellow Affiliate colleagues have to say:

Forensic Anthropology Lab

Jessica Crossman in the Forensic Anthropology Lab at the National Museum of Natural History.

 

“I truly wish everyone at my institution had the chance to do this kind of program, which was eye-opening in so many ways. I know I will continue to maintain many of the relationships formed during my program and am grateful for the opportunity.” – Sarah Rooney, Community Programs Manager, Senator John Heinz History Center, 2013 Visiting Professional.

“Through these wonderful learning experiences I met some truly talent and kind people that I hope to keep in touch with.  And of course this trip provided the Museum of Man some new ideas for our hands-on exhibit space.  I’m very grateful to have been given the opportunity to grow both professionally and personally through this wonderful opportunity.“– Jessica Crossman, Experiential Learning Department Program Coordinator, San Diego Museum of Man, 2013 Visiting Professional.

2009 Visiting Professional, Wayne Coleman from the Birmingham Civil Rights Institute in the Archives of American History.

2009 Visiting Professional, Wayne Coleman from the Birmingham Civil Rights Institute in the Archives of American History.

“My Smithsonian colleagues were inviting, open, and encouraging. Their work is inspiring and has given me many ideas! I look forward to sharing what I learned with my colleagues and trying out some of the Smithsonian approaches.”– Lisa Falk, Director of Education, Arizona State Museum, 2010 Visiting Professional.

“My experience was extremely valuable. The knowledge that I gained at the Smithsonian and that I am now sharing with co-workers has definitely been beneficial to our work.“– Katey Ahmann, Coordinator of Exhibit Hall Programs, North Carolina State Museum of Natural Sciences, 2009 Visiting Professional.

Application Guidelines:

  • Apply online! Candidates apply directly through the Smithsonian Online Academic Appointment System (SOLAA).
  • Visiting Professionals receive a stipend. Selected applicants will receive a $350 stipend per week (not to exceed $700) to help with expenses.
  • Applicants must be full-time staff members at an Affiliate organization.
  • Click here for full application requirements and to apply online.

Questions? Contact Elizabeth Bugbee, 202.633.5304.

Bring 101 Smithsonian Objects to your Neighborhood!

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101objectsbookOk, so we can’t actually send 101 artifacts on the road all the time, but we can send Smithsonian Under Secretary for Art, History, and Culture Richard Kurin! Aided by a team of top Smithsonian curators and scholars, Richard’s new book The Smithsonian’s History of America in 101 Objects, is a literary exhibition of objects from across the Smithsonian that together offer a marvelous new perspective on the history of the United States.

After the success of his book tours in Affiliateland–Madcap May: Mistress of Myth, Men, and Hope and Hope Diamond: The Legendary Story of a Cursed Gem–Richard is looking forward to visiting Affiliates again and sharing these fascinating stories from American history.

Richard kicks off the Affiliate tour on Tuesday, November 12 at the National Museum of American Jewish History in Philadelphia. One of the unexpected selections in his book is a vial of Jonas Salk’s polio vaccine–which just happens to be on view at NMAJH in their Only In America gallery, on loan from the Smithsonian’s National Museum of American History.

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Richard traveled to more than 10 Affiliates during his book tour for “Hope Diamond: The Legendary History of a Cursed Gem.”

Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. He sheds remarkable new light on objects we think we know well, from Lincoln’s hat to Dorothy’s ruby slippers and Julia Child’s kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman’s hymnal, Sitting Bull’s ledger, Cesar Chavez’s union jacket, and the Enola Gay bomber, tell difficult stories from our nation’s history, and inspired controversies when exhibited at the Smithsonian. Others, from George Washington’s sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In his words, each object comes to life, providing a near-tactile connection to American history.

Photo courtesy Smithsonian Institution.

Photo courtesy Smithsonian Institution.

Publishers Weekly called it a “humanistic approach to storytelling (he even includes digressions on things that didn’t make it in, like the ubiquitous stuffed animal named after the first President Roosevelt: the Teddy Bear) which makes for immersive, addictive reading.”

Beautifully designed and illustrated with color photographs throughout, The Smithsonian’s History of America in 101 Objects is a rich and fascinating journey through America’s collective memory, and a beautiful object in its own right.

Interested in booking Richard for a speaking engagement and book signing at your organization? Contact your National Outreach Manager. Availability is February 2014- June 2014.

Interested in stocking your shelves with a great gift? Pre-order here!

Swingin’ with the Smithsonian in Daytona Beach

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15038_10151615476644102_362315537_nSpecial thanks to Monica Reardon, Smithsonian Affiliations summer intern, for authoring the 2013 #MuseumDayLive! Affiliate blog series.

The Museum of Arts & Sciences (MOAS) is a science and history museum located in Daytona Beach, Florida.  This Affiliate’s collections showcase a multitude of topics, which include Coca-Cola® memorabilia, paintings of Florida, a giant ground sloth skeleton, celestial charts, and more.  Not to mention a planetarium, an open storage building, and two off-site exhibit areas.  The Museum, since joining Affiliations in 2000, has featured a variety of Smithsonian objects, exhibitions, and programs.

In that spirit, MOAS will be welcoming speakers, musicians and affiliates of the Smithsonian Institution to Daytona Beach for its 3rd Annual Septembers with the Smithsonian series of events. Beginning September 6th, MOAS will be featuring an exhibition as well as special speakers from the Smithsonian Institution and other Smithsonian Affiliates.

“Septembers with the Smithsonian was created to share the benefits of our Smithsonian Affiliation with our community,” stated MOAS Executive Director, Andrew Sandall. “It’s a chance for us to show the diversity of the subject matter museums preserve. Any form of art, either physical or performed, has influenced people’s lives and made them who they are today – the same pieces have different meanings and interpretations for each of us and become part of us.”

A fellow Smithsonian Affiliate museum, the Orange County Regional History Center, has generously loaned the artworks in Highwaymen: African-American Folk Artists of Florida which will be on exhibition through the Fall. On September 12, visitors can explore Florida’s marine environments at the Smithsonian Marine Station with Dr. Valerie Paul, Director of the Smithsonian Marine Station at Ft. Pierce. In addition, Underwater Archaeologist Chuck Meide, from the St. Augustine Lighthouse & Museum–another Smithsonian Affiliate– will talk about the British Revolutionary Warship, the “Storm Wreck” on September 18. Other speakers will present topics such as archeology, biology and paleobiology, some of which will be highlighted in the Museum’s Natural History Festival on September 21st.

969531_10151615475654102_177155945_nOn September 28th from 7-9pm, the Smithsonian Jazz Masterworks Orchestra (SJMO) will perform “Swingin’ with the Smithsonian,” featuring vocalist Lena Seikaly. The SJMO will perform selections from the Ella Fitzgerald song book. A special matinee concert for children, “Swingin’ with the Smithsonian Junior” has been added to the concert schedule this year, and will take place Saturday, September 28th from 2-3pm at MOAS.

“Septembers with the Smithsonian was created to share the benefits of our Smithsonian Affiliation with our community. We are looking forward to each of this year’s exciting events at MOAS,” stated MOAS Executive Director, Andrew Sandall.

This year, Smithsonian Museum Day Live! is September 28th. Visitors who present the Museum Day Live! ticket will gain free entrance for two at participating venues for one day only. One ticket is permitted per household, per email address. This ticket is not valid for “Swingin’ with the Smithsonian” or “Swingin’ with the Smithsonian Junior” concerts. This project received financial assistance from VISIT FLORIDA. Exhibits and dates subject to change.

Is the Smithsonian in your neighborhood? Find out which other Affiliates are participating in #MuseumDayLive on September 28, 2013, here.

 

 

Satisfy your Museum Day hunger with a Flying Pancake

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Special thanks to Monica Reardon, Smithsonian Affiliations summer intern, for authoring the 2013 Smithsonian #MuseumDayLive! blog series. 

A donation in 1963 to The University of Texas marked the beginnings of the museum Frontiers of Flight, now located in Dallas, Texas.  The collection of artifacts and archival materials of George Haddaway, an aviation historian and the publisher of “Flight” magazine, became the “History of Aviation Collection.”  The collection then moved from Austin to The University of Texas at Dallas in the late 1970’s.  Eventually, The Frontiers of Flight Museum was formed as an organization in 1988.  From there, it grew into what it is today.

Frontiers of Flight became a Smithsonian Affiliate in 2002 and has consistently participated in Smithsonian Magazine Museum Day Live! for the past 7 years. The museum recently helped restore the Chance Vought V-173 Flying Pancake, on long-term loan to the museum from the Smithsonian’s National Air and Space Museum (NASM). In addition, visitors to the museum can view the Apollo 7 Command Module and more than 20 other space-related artifacts also on loan from NASM.

Is the Smithsonian in your neighborhood? Find out which other Affiliates are participating in #MuseumDayLive on September 28, 2013, here

Vought V-173 "Flying Pancake" at Frontiers of Flight Museum

Photo courtesy Joseph May (C) 2012 at Travel for Aircraft

engineering ingenuity at the buffalo bill center of the west

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Special thanks to Monica Reardon, Smithsonian Affiliations summer intern, for authoring the 2013 #MuseumDayLive! Affiliate blog series.

Patent model, Smith & Wesson Magazine Lever Action Pistol. AF*251055. Image provided by Buffalo Bill Center of the West.

Patent model, Smith & Wesson Magazine Lever Action Pistol. AF*251055. Image provided by Buffalo Bill Center of the West.

The Buffalo Bill Center of the West had its start as a log building in Cody, Wyoming, resembling Buffalo Bill’s TE Ranch house.  Mary Jester Allen intended the museum to be a national shrine and memorial to her uncle, William F. “Buffalo Bill” Cody, and to the early pioneers of the American West.  The collections grew and so did the Museum, with the intent of preserving and conveying the “Spirit of the American West.”  

The Center has participated in Smithsonian Magazine Museum Day Live! since becoming a Smithsonian Affiliate in 2008. On view at the Cody Firearms Museum in time for Museum Day Live! this year are 64 unique firearms from the National Firearms Collection at the Smithsonian’s National Museum of American History.  The exhibit is divided between patent firearms (the prototype design submitted by firearms inventors), firearms with interesting provenance, and international firearms with gorgeous embellishments.  The collection includes a Smith and Wesson Lever Action Patent Model and a Colt Patent.

The Smith and Wesson Lever Action Patent Model was the first lever action prototype firearm designed by Smith and Wesson.  Smith and Wesson’s original company, The Volcanic Repeating Arms Co. was actually named after the nickname for the pistol, the Volcanic pistol. However, this patent did not bring them financial success and they sold the rights to a shirt manufacturer named Oliver Winchester. Winchester would go on to use this patent; his lever action rifles becoming synonymous with the American West.

Revolver, patent model. Colt Paterson Revolver. AF*251084. Image provided by Buffalo Bill Center of the West.

Revolver, patent model. Colt Paterson Revolver. AF*251084. Image provided by Buffalo Bill Center of the West.

The Colt Patent is connected to Samuel Colt, another name famous in the American West, particularly for revolvers.  Colt’s revolver is the first successful percussion firearm ever patented.  The design from this model would go on to be the production type Colt Paterson.  As noted by Ashley Hlebinsky,Firearms Curatorial Resident, “You pretty much cannot see a Western film without seeing a variation of a Colt Revolver and a Winchester Lever Action.”

Hlebinsky would like visitors “to not only see some amazing firearms and representations of engineering ingenuity, but to understand the people who made the firearms and who owned and used them.”  She hopes that the “artifacts are able to convey a story about the people involved in the process – from the trial and error methods of the patent process (some patent models were never produced, while others became infamous) to the experiences of those who owned the guns.”

Is the Smithsonian in your neighborhood? Find out which other Affiliates are participating in #MuseumDayLive on September 28, 2013, here.

 

“Hey Mom, guess what I did today? I moved a totem pole!”

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Special thanks to Summer Olsen, 2013 Smithsonian Affiliations Intern Partner for writing this guest post. Summer spent 10 weeks at the Smithsonian this summer. She returns to California this fall to complete the second half of her intern partnership. Thank you, Summer!

summerolsenDuring my summer 2013 internship through the Smithsonian Affiliations Intern Partnership Program I assisted the Office of the Registrar at the Cultural Resources Center (CRC) of the National Museum of the American Indian (NMAI) from June 3rd to August 9th. Inventory Specialist Heather Farley and Assistant Registrar for Acquisitions Margaret Cintron supervised me.  During my internship in Registration I learned about the daily processing, tracking, and inventory of objects in collections, researched Plains beadwork with NMAI curator Emil Her Many Horses, and experienced the organization of other Smithsonian branches via intern tours and events. The skills and knowledge I developed during my internship will be applied to a comprehensive project involving an inventory and assessment of the Plains beadwork collections at the Riverside Metropolitan Museum (a Smithsonian Affiliate) and the museum at Sherman Indian High School in Riverside, California.

My time at the CRC has flown by and I have developed skills and gained knowledge by completing a variety of tasks: documenting the un-accessioned collections, processing new acquisitions, processing outgoing loans and objects returned from being loaned, working in collections, assisting in the de-installation of an exhibit, and office tasks like scanning and filing catalog cards and accession lot folders.

My main project this summer was to work with two other registration interns documenting the un-accessioned collections. To prepare for our work in registration work we received object-handling training from conservation staff members and training from registration staff to operate work assistance vehicles (WAV) and pallet jacks. We photographed, recorded measurements, and re-housed disassociated fragments from their parent object and un-accessioned material. After photographing the objects we edited the photo files and embedded them with metadata. Then we made custom storage mounts, and shelved the objects in their appropriate locations in collections. I was also taught how to enter some cataloging information and object dimensions into EMU.

We learned to use the barcode system in collections. When working on the documentation project we assigned a barcode to each item. New acquisitions were also assigned barcodes. In addition we re-associated a group of fragments using the barcode system to locate their parent objects and conducted an inventory by scanning the barcodes of un-accessioned works on paper.

olsen3I learned the procedure for processing new acquisitions into the collection.  We unpacked crates, took reference photos, and made/wrote condition reports and lot forms. For cloth objects we made tags with NMAI catalog numbers and sewed them down. The procedure was much the same for the outgoing objects for the Anishinabe exhibit at the George Gustav Heye Center in New York City. We checked the condition of each object and compared it to previous condition and conservation reports. When objects came back from a loan I helped Museum Registration Specialist for Loans, Rajshree Solanki, unpack objects and updated their condition paperwork. We also wrote condition paperwork for peace medals that were de-installed at the NMAI Mall Museum in Washington, D.C.

During the second part of my internship I met with NMAI curator Emil Her Many Horses who guided me through NMAI’s beadwork collections. I learned about the progression of beading (from quillwork to early beading to the present day), different cultural styles of beadwork, and beading techniques. The information he imparted will be key to completing my project this fall at the Riverside Metropolitan Museum and Sherman Indian High School.

This internship also gave me access to knowledge via tours of other Smithsonian Museums and events sponsored by the Office of Fellowships and Internships. I was able to see collections storage practices at National Museum of Natural History, the Hirshhorn, and National Air and Space Museum and toured the Folklife festival with curators from the Smithsonian Center for Folklife and Cultural Heritage. The “From Here to Career”, an event hosted by OFI, gave me the opportunity to talk to Smithsonian museum professionals.

My internship at NMAI has been an incredible experience.  I will be able to apply all the skills I learned while working at NMAI to my project at the Riverside Metropolitan Museum and Sherman Indian High School.  I have been able to see objects I have only ever read about, interact with fantastic people, been given advice that will impact the rest of my academic career, and formed professional relationships. Highlights of my experience have been: Moving a totem pole, documenting strange animal specimens, getting to see collections while re-associating fragments, and learning about beadwork with Emil Her Many Horses.

Thank you Smithsonian Affiliations for this amazing opportunity. I have enjoyed every minute of it and am gearing up to complete the next part of the internship in Riverside.

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Summer receiving a Certificate of Award at the Congressional Reception during the 2013 Affiliations National Conference. Left to right: Smithsonian Secretary, G. Wayne Clough; Summer Olsen, Smithsonian Regent, France A. Córdova; Smithsonian Assistant Secretary for Education and Access, Claudine Brown; Riverside Metropolitan Museum Curator of Collections & Exhibitions, Brenda Focht; Riverside Metropolitan Museum Curator of Collections & Historic Structures, Lynn Voorheis; and Smithsonian Affiliations Director, Harold Closter.