Tag Archive for: national museum of the american indian

Smithsonian artifacts help tell the story at new National Museum of American Jewish History

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The new National Museum of American Jewish History hosts its grand opening celebration this weekend. And you’ve probably already heard the buzz that VIPs such as Bette Midler, Jerry Seinfeld and Vice President Joe Biden will be on hand for the opening.  But did you know there will be some quieter stars sticking around long after opening weekend concludes?  Thanks to loans from the Smithsonian’s National Museum of American History and National Museum of the American Indian, 13 amazing artifacts from the Smithsonian collection that document the history and achievements of Jewish Americans will be on view for visitors long after the fanfare ends.  Here’s a few of the Smithsonian artifacts visitors will encounter:

Albert Einstein’s pipe
One of only 18 Jewish Americans to be featured in the Museum’s prestigious “Only in America” gallery, Albert Einstein, creator of the theory of relativity, Nobel Prize winner, and striver for world peace, is almost as well known for his physical appearance as for his epochal work in theoretical physics. Characteristic of that appearance was a pipe. Although in his later years he restricted his smoking on doctors’ orders, he couldn’t bear to give up the tactile experience of a pipe itself. This one, in fact, gives evidence of Einstein’s long usage in a hole he wore through its bit.   

Polio vaccine vial
Jonas Salk first tested his polio vaccine on humans in July 1952 when he inoculated thirty children at the D. T. Watson Home for Crippled Children near Pittsburgh, Pennsylvania. This vial contains residue of polio vaccine from these first tests, which had a profound effect on American medical history.

 

 

Sandy Koufax’s Rawlings Mickey Mantle Professional Model mitt
Sandy Koufax was signed to his hometown Brooklyn Dodgers in 1955 and started pitching regularly for them when they moved to Los Angeles. In 1961, with a wicked curve ball, Koufax won 18 games and triggered one of the most exciting five-season performances ever seen on a mound. This included the lowest earned-run average in baseball for five straight years, a no-hitter in each of four consecutive seasons, and three World Series championships. Koufax used this left-hander’s glove during his career with the Dodgers.

Shofar (Central Europe, 19th century)
This shofar, a Jewish ceremonial instrument made from a ram’s horn, was the first object of Judaica collected by former curator Cyrus Adler for the (Smithsonian) National Museum in 1889. Want to hear what one sounds like? Click here to listen at Smithsonian Folkways!

Irving Berlin’s Uniform Jacket from WWI
Irving Berlin’s jacket will be exhibited in a gallery devoted to telling the American Jewish experience during WWI.  While a doughboy in WWI, Berlin wrote songs and presented musicals which raised money for Camp Upton.

Did you know that the character of Superman was created by Jewish Americans?   Smithsonian artifacts such as a Superman doll, a gold rush coin, sheet music and more, add an important complement to the Museum’s exhibitions, which chronicle 350 years of American Jewish history.   The Smithsonian could not be prouder to be part of this historic opening event. 

The National Museum of American Jewish History officially opens to the public on November 26.  For more information about this museum, visit https://nmajh.org/

Interested in more headlines about the museum’s opening? See our blog post, Affiliates in the News, for more info.

All images courtesy National Museum of American History.

Storytelling Thrives at Smithsonian Affiliate

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Mary B. Martin Storytelling Hall at the International Storytelling Center in Jonesborough, Tennessee

Has anyone proclaimed October “National Storytelling Month?”  I’m sure this would find great favor among the more than 10,000 people who attended this year’s 38th annual National Storytelling Festival in Jonesborough, Tennessee.  Organized by Smithsonian Affiliate, the International Storytelling Center, the festival gives ample evidence that the spoken word has not yet succumbed to the abbreviated argot of tweets, instant messaging, acronyms, and emoticons.  In Jonesborough, the world’s oldest art form is flourishing. 

Begun in 1973 by Jimmy Neil Smith, a former journalism teacher and mayor of this picturesque, historic East Tennessee town, the festival has justifiably earned Jonesborough the title of “Storytelling Capital of the World.”  As Smith recalls, “thirty eight years ago, when 50 or so people gathered around a hay wagon in the center of my home town to tell and listen to stories, something magical happened.  The National Storytelling Festival was created, basically, to inspire ordinary people to share stories.” 

Niall de Búrca, of Ireland, performs during the 2009 National Storytelling Festival. Photo courtesy Fresh Air Photo.

Inspire it does.  The storytelling usually begins at 10:00 am and lasts well past midnight.  Veteran attendees meticulously scope out the schedule and find their seats long before starting time.  Audiences remain attentive and appreciative throughout, absorbed in each session, hanging on every word, eagerly awaiting the ever-unpredictable plot twist or punch line.  Stories range from traditional to personal and from serious to surreal.  In all their shapes and styles, the stories embrace the glorious diversity of the oral tradition, while underscoring what must be a universal human impulse to create narrative out of everyday life. 

Chuna McIntyre presents a Yup’ik Eskimo story at the 2009 Festival. Photo courtesy Fresh Air Photo.

Many Jonesborough storytellers have shared their skills on Smithsonian stages. Ray Hicks, Donald Davis, Jay O’Callahan, John McCutcheon, Bill Lepp, Syd Lieberman, and Kathryn Windham, to name a few have performed at the Smithsonian Folklife Festival, the Discovery Theater, and at various SI museums and workshops.  Smithsonian staff have, in a similar manner, given their time and talents back to Jonesborough:  Rex Ellis, master storyteller and Associate Director for Curatorial Affairs at the Smithsonian’s National Museum of African American History and Culture, has been a mainstay in Jonesborough since 1990;  Stephanie Norby, Smithsonian Center for Education and Museum Studies and Clare Cuddy, National Museum of the American Indian have also advised on educational strategies and programming at the International Storytelling Center. 

(L to R) Affiliations Director, Harold Closter, and Storytelling Center President, Jimmy Neil Smith

The work of all these accomplished folk demonstrates the truth behind poet Muriel Rukeyser’s observation that “the universe is made of stories, not of atoms.”  One trip to Jonesborough and you’ll have no doubts.  Just remember to make your reservations early!

*amazing* loans at Affiliates this fall

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More than 25 amazing and unique artifacts are on the move from the Smithsonian to Affiliates in six states,  from September to November this year.  This concentration of extraordinary activity gives testament to months (and sometimes years!) of hard work and planning by Smithsonian and Affiliate staffs alike. 

“Americans unable to visit the Smithsonian in Washington now have an opportunity to see some amazing Smithsonian artifacts from our collections in their own communities,” said Harold Closter, Affiliations Director.  “Something special happens when an artifact returns to its location of origin or joins an exhibit where it can be seen in a new context. Thanks to our Affiliates, the Smithsonian has a strong, visible presence in every part of our country.”

From the NATIONAL MUSEUM OF NATURAL HISTORY:

Lexington's skeletal head, next to its image while alive.

The fall season kicked off in Kentucky, site of the 2010 World Equestrian Games.  The International Museum of the Horse borrowed the complete skeleton of Lexington, the most famous 19th-century American racehorse, returning him to his birthplace 160 years later.   Read more about this amazing loan in the upcoming Fall 2010 edition of The Affiliate newsletter. 

Isn’t Monopoly the way most of us learned about finance and economics?  A solid gold, jewel-encrusted Monopoly game from the Museum’s gem collection was unveiled with great fanfare in October at the Museum of American Finance on Wall Street in New York City.  While students competed in a Monopoly tournament, the artifact’s creator, jeweler Sidney Mobell, spoke about this one-of-a-kind artwork.   

From the SMITHSONIAN AMERICAN ART MUSEUM: 

Barthe's almost 3' Blackberry Woman

Artist Richmond Barthe’s bronze sculpture Blackberry Woman will soon be on view at the Ohr-O’Keefe Museum in Biloxi, Mississippi for the inaugural exhibition in its new African American gallery.  Barthe grew up in Mississippi, and was inspired by the women he encountered there in his childhood.  How elegantly appropriate for this sculpture to return to the genesis of its inspiration!

In November, the Museo de Arte de Puerto Rico will display three paintings from SAAM’s Vidal Collection by legendary 18- 19th-century Puerto Rican Old Master, José Campeche.  These inclusions in a definitive retrospective of Campeche’s work represent the first loans ever between these two important art museums, a signficiant accomplishment.

Likewise, SAAM’s painting by Charmion von Wiegand “Nothing that is wrong in principle can be right in practice” will be part of the Rubin Museum’s Grain of Emptiness: Buddhism-inspired Contemporary Art exhibition, the Museum’s first loan to this NYC Affiliate.

 From the ARCHIVES CENTER at the National Museum of American History:  

Detail from the illustrated sheet music, Oh! You Babe Ruth

The Archives Center is making a significant contribution to the Sousa Archives and Center for American Music’s Sousa and His League of Players: America’s Music and the Golden Age of Baseball exhibition, marking the 100th anniversary of the Sousa Band’s World Tour.  With 11 baseball cards (including Ty Cobb’s) and several examples of illustrated sheet music (including Oh! You Babe Ruth and Stars of the National Game music), this exhibition will be the core of the University’s 2010 American Music Month Celebration.

From the NATIONAL MUSEUM OF THE AMERICAN INDIAN:

In an unexpected request, the Museum has loaned a 19th-century Sioux flute and hide scraper from the Dakota Territory to the National Museum of American Jewish History.  What’s the connection?  When NMAJH opens its brand new building on Independence Mall this November, part of the history it will tell is the western expansion of Jewish Americans, and the kinds of peoples and objects they encountered along the way.   

And from the MUSEUM CONSERVATION INSTITUTE:

Within the Emperor's Garden - on view at Flushing Town Hall

MCI’s extraordinary object, the Ten Thousand Springs Pavilion, made its way between two Affiliates this fall, from Texas to Flushing, New York.  Flushing Town Hall is located in one of New York City’s largest Asian communities, a perfect context for this 1:5 scale model replica from the Imperial Garden in the Forbidden City in Bejing.  Read more about the deinstallation and NYC installation of this object.

THANK YOU to all of our Smithsonian colleagues for their work on these loans, and for our Affiliate friends who so consistently collaborate with us to bring the Smithsonian to their neighborhoods.