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October 2016 is BUSY in Affiliateland!

Thanks to all our Affiliates for such great work!

CONNECTICUT
Affiliations program Director Harold Closter will announce the new affiliation with the Connecticut Historical Society in Hartford, 10.5.

IOWA
The Dubuque Museum of Art will hold a videoconference on En Plein Air with the American Art Museum in Dubuque, 10.11.

LOUISIANA
The Smithsonian Associates will be working with three Affiliates – the University Corporation for Atmospheric Research, the St. Louis Science Center and the Museum of Arts and Sciences on GEAR UP, a science education program for 8th graders in Lafayette, 10.11-13.

MISSOURI
National Outreach Manager Aaron Glavas will announce the new affiliation with the St. Louis Science Center, and National Air and Space Museum educator Tim Grove will present a book talk at a Member Open House event in St. Louis, on 10.13.

HAWAII
The Pacific Aviation Museum will host an astrophotography workshop with the Smithsonian Astrophysical Observatory, in Honolulu, 10.13-14.

ARIZONA
The Heard Museum will open the exhibition Kay WalkingStick: An American Artist from the National Museum of the American Indian, in Phoenix, 10.13

GEORGIA
Staff from the National Museum of Natural History will be giving talks at a private event for the Atlanta Regional Host Committee at the David Sencer Centers for Disease Control Museum in Atlanta, 10.13.

NEVADA
The Las Vegas Natural History Museum will open the SITES exhibition Titanaboa in Las Vegas, 10.15.

NORTH CAROLINA
The North Carolina Museum of Natural Sciences will host the Board meeting and associated activities of the Smithsonian Science Education Center in Raleigh, 10.17.

WASHINGTON, DC
Over 120 Affiliate staff will help celebrate the 20th anniversary of Smithsonian Affiliations at the annual conference in Washington, 10.17-20.

TENNESSEE
John Franklin from the National African American Museum will announce the new affiliation with the National Civil Rights Museum in Memphis, 10.20.

OHIO
National Outreach Manager Jennifer Brundage will give comments at the Cummings Center for the History of Psychology groundbreaking, dedication and dinner event in Akron, 10.22.

American Art Museum curator Virginia Mecklenburg will present a talk on Seeing America with Norman Rockwell at the Springfield Museum of Art in Springfield, 10.25.

COLORADO
The Denver Museum of Nature and Science and the Smithsonian Science Education Center will collaborate on workshops on Building Awareness for Science Education in Denver, 10.24-25.

DELAWARE
National Museum of American History curator Katherine Ott will attend and offer commentary at the Making of Modern Disability conference at the Hagley Museum and Library in Wilmington, 10.28.

 

 

visiting Affiliate artifacts… in Washington

In Affiliations, we like to say that our partnerships are two-way streets. We learn as much from our Affiliates as we share. Our Affiliate partners lend ideas, energy and expertise not only to the Smithsonian, but to each other. They also lend artifacts, and often, the very best, rare ones they have in their collections.

Recently, I took an afternoon out of the office to visit the handful of loans currently on view from our Affiliate partners to the Smithsonian. What better pleasure to run in to our Affiliate friends across the country than by discovering pieces from their collections here in Washington?!

A case featuring inductees to the National Inventors Hall of Fame.

A case featuring inductees to the National Inventors Hall of Fame

My first stop on this walkabout was the National Museum of American History and its newly-opened innovation wing. The Inventing in America exhibition features a case that honors inductees to the National Inventors Hall of Fame, our Affiliate in Canton, OH. Visitors can marvel at a selection of inventions made by some of the 500 men and women who have been inducted into the Hall of Fame, and learn about inventions such as the first intravascular stent from 1984, 3M sticky notes, the first digital camera from 1975, and the 1976 Apple computer.

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Descriptions of the inventions of Hall of Fame inductees

Notably, the case explains the invention of Kevlar, the high strength fabric (used for example, in bullet-proof vests) invented by Stephanie Kwolek in 1965 while she worked at DuPont. Luckily, our Delaware Affiliate, the Hagley Museum and Library in Wilmington, has an extensive collection of material about Kevlar (including Kwolek’s papers) and lent two artifacts from their collection to bring her story to life.

I wandered over to the National Portrait Gallery to see its Dark Fields of the Republic: Alexander Gardner Photographs, 1859-1872 exhibition. At one time, Gardner worked for the famous photographer Matthew Brady before casting out as an influential documentarian in his own right. The profound Civil War-era images on view in these galleries are haunting still. Among them are important works from three Smithsonian Affiliates.

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Field of Antietam photo book on loan from the National Civil War Museum

The National Civil War Museum in Harrisburg, PA lent a photographic book titled the Field of Antietam from 1962. Before photomechanical reproduction, books like this one were made by printing each of the original photographs by hand, adhering them to mounts, and binding them as a book. Knowing this process makes the book feel all that more special.

Our Affiliate in Indianapolis, the Indiana Historical Society lent chilling images of the executions of the Lincoln assassination conspirators. Notably, Alexander Gardner was the only photographer allowed to document the hangings, and his position on the wall of the prison grants a panoramic view that is searing and unforgettable.

Sketchbook of the War, on loan from the Western Reserve Historical Society

Gardner’s Photographic Sketchbook of the War, on loan from the Western Reserve Historical Society

Finally, the Western Reserve Historical Society, our Affiliate in Cleveland, OH also lent several works to the exhibition, including what feels like an incongruous view of a picnic in the woods. Alas, one discovers its main subject is Walt Whitman, who lived in Washington, D.C. for part of the war, writing letters for injured soldiers. It’s an unsettling yet bucolic image among the battlefields represented on the walls around it. Another impressive loan is Gardner’s Photographic Sketchbook of the War in two volumes. This large-scale folio published in 1866 features 100 images from Gardner’s vast collection that successfully distill the chronological narrative of the war in a meaningful and emotional way.

Finally, I ended my excursion at the Kay WalkingStick: An American Artist exhibition at the National Museum of the American Indian. This retrospective – her first major one – traces the artistic journey of WalkingStick, a citizen of the Cherokee Nation. Emerging from the art world of New York in the 1960-70s, the show traces her 40+ year career from early figurative work through her famous diptychs to recent paintings of monumental landscapes with symbolic references to their Native links.

Three Affiliates are represented in this exhibition as well. One of our newest, The Rockwell Museum in Corning, NY lent a diptych, Letting Go/From Chaos to Calm from 1990. These rich paintings of mixed dry media on sculptmetal juxtapose the figurative and abstract, the visual and visceral in stimulating and thought-provoking ways.

Visitors can leaf through a touchable version of WalkingStick's artist book, on loan from the Heard Museum.

Visitors can leaf through a touchable version of WalkingStick’s artist book, on loan from the Heard Museum

The Heard Museum in Phoenix, AZ (where the show will travel after Washington) lent two works. One canvas, Cardinal Points from 1983-85, uses acrylic paint and saporified wax to achieve a textured and active surface that rewards prolonged study. Her artist book on loan from the Heard contrasts depictions of herself with the kinds of stereotypical comments about her identity that continue to plague Native people. (Flip through the book here.)

Finally, the Denver Art Museum lent a commanding diptych of a different style, Farewell to the Smokies from 2007. This oil painting on wood blends two views of a majestic mountain landscape, with silhouettes of figures walking across their base. It’s a powerful reminder of Native history, and at the same time, of the indelible legacy of Native peoples on the American landscape.

Thank you Affiliates, for all the ways that you enrich the Smithsonian!

Farewell to the Farewell to the Smokies, 2007. Oil on wood panel, 36 x 72 x 1 in. Denver Art Museum: William Sr. and Dorothy Harmsen Collection, 2008.14. Photo courtesy of the Denver Art Museum

Farewell to the Smokies, 2007. Oil on wood panel, 36 x 72 x 1 in. Denver Art Museum: William Sr. and Dorothy Harmsen Collection, 2008.14. Photo courtesy of the Denver Art Museum

 

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Smithsonian Institution and Affiliate Collections Come Together for “Super Indian” at the Denver Art Museum

Special thanks for this guest post to: Eric Berkemeyer, Curatorial Assistant of Native Arts, Denver Art Museum

This October the Denver Art Museum opened Super Indian: Fritz Scholder, 1967-1980 which explores how Fritz Scholder used color and composition to create the powerful and innovative works of his Indian series. The exhibition features more than 40 monumental paintings and lithographs, including works loaned from Smithsonian Institution and Affiliate museums. With the support of these institutions the Denver Art Museum was able to realize an exhibition that fully engages with Scholder’s work from the period of 1967 to 1980; highlighting major themes and artistic approaches within the series.

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Fritz Scholder, “Indian and Rhinoceros,” 1968, Oil paint on canvas, 68 × 120 in. Collection of the National Museum of the American Indian, Smithsonian Institution, 268066.000 Photographer: Walter Larrimore, NMAI, © Estate of Fritz Scholder.

From the National Museum of the American Indian comes two works that draw attention to Scholder’s Pop art sensibilities with their bright color, scale, and use of popular, everyday imagery. These paintings, Indian and Rhinoceros (1968) and Walking to the Next Bar (1974), also exhibit his interest in social issues such as the conflicted relationship between American Indians and the Federal government and alcoholism respectively.

Also on view is Indian in Contemporary Chair (1970) from the Smithsonian American Art Museum. With the figure’s gritty, expressionistic rendering, its inclusion contributes to the interpretation of English artist Francis Bacon’s influence on Scholder’s style and composition. Furthermore, the contrast of an Indian subject within a contemporary setting serves to challenge viewers’ assumptions of the place of American Indians in the present day, another theme that runs throughout the exhibition.

Fritz Scholder, Indian at a Gallup Bus Depot, 1969, Oil paint on canvas, 40 × 30 in. Booth Western Art Museum permanent collection, Cartersville, GA, 2013.011.001 Photo courtesy Louis Tonsmeire, Jr., © Estate of Fritz Scholder.

Fritz Scholder, “Indian at a Gallup Bus Depot,” 1969, Oil paint on canvas, 40 × 30 in. Booth Western Art Museum permanent collection, Cartersville, GA, 2013.011.001. Photo courtesy Louis Tonsmeire, Jr., © Estate of Fritz Scholder.

In addition to the fourteen works from the Denver Art Museum, works from two other Smithsonian Affiliates are also featured in the exhibition. From the Booth Western Art Museum is Indian at a Gallup Bus Depot (1969) depicting what Scholder called an “Indian cowboy” in front of an arcade machine, highlighting Scholder’s Pop art sensibility as well as the influence of his teacher Wayne Thiebaud. And, from the Heard Museum comes Indian Dying in Nebraska (1972) adding to the exhibitions exploration of dark and mysterious subjects.

With generous institutional support such as this, visitors to the exhibition are better able to explore the rich work of Fritz Scholder. The exhibition continues at the Denver Art Museum until January 17, 2016. It will then travel to the Phoenix Art Museum February 16, 2016 to June 5, 2016 and the Nerman Museum of Contemporary Art in Overland Park, KS June 23, 2016 to September 18, 2016.