“Train” your eyes on adventure at the B&O Railroad Museum

Special thanks to Monica Reardon, Smithsonian Affiliations summer intern, for authoring the 2013 Smithsonian Magazine Museum Day Live! blog series. 

The Baltimore & Ohio Railroad Museum is located where the Baltimore and Ohio Railroad came into being during the late 1820s, in Baltimore, Maryland.  The collection grew from a late 19th century trade show exhibit of railroad artifacts.  An actual museum came about in 1953, when the B&O Transportation Museum and its collection were designated a National Historic Landmark by the U.S. Department of the Interior.  The B&O Railroad Museum has been a Smithsonian Affiliate since 1999.  It has on loan a variety of Smithsonian artifacts relating to the history of American railroad.

One of the many Smithsonian artifacts on view at the B&O during Smithsonian Magazine Museum Day Live! is the Pioneer, an 1851 locomotive.  The locomotive had once pulled passenger trains, had been used for two Civil war raids, and had been displayed at World’s Fairs and Expositions as an “operating relic.”  It had even been on view at the Smithsonian from 1963-2001.  The B&O teamed up with the Smithsonian’s National Museum of American History to restore the Pioneer to its 1901 appearance.  B&O was able to accommodate the project in its own restoration facility.  The locomotive is a rarity because its type was not used by very many U.S. railroads, and because of its age for a preserved locomotive.

Is the Smithsonian in your neighborhood? Find out which other Affiliates are participating in #MuseumDayLive on September 28, 2013, here.

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“Hey Mom, guess what I did today? I moved a totem pole!”

Special thanks to Summer Olsen, 2013 Smithsonian Affiliations Intern Partner for writing this guest post. Summer spent 10 weeks at the Smithsonian this summer. She returns to California this fall to complete the second half of her intern partnership. Thank you, Summer!

summerolsenDuring my summer 2013 internship through the Smithsonian Affiliations Intern Partnership Program I assisted the Office of the Registrar at the Cultural Resources Center (CRC) of the National Museum of the American Indian (NMAI) from June 3rd to August 9th. Inventory Specialist Heather Farley and Assistant Registrar for Acquisitions Margaret Cintron supervised me.  During my internship in Registration I learned about the daily processing, tracking, and inventory of objects in collections, researched Plains beadwork with NMAI curator Emil Her Many Horses, and experienced the organization of other Smithsonian branches via intern tours and events. The skills and knowledge I developed during my internship will be applied to a comprehensive project involving an inventory and assessment of the Plains beadwork collections at the Riverside Metropolitan Museum (a Smithsonian Affiliate) and the museum at Sherman Indian High School in Riverside, California.

My time at the CRC has flown by and I have developed skills and gained knowledge by completing a variety of tasks: documenting the un-accessioned collections, processing new acquisitions, processing outgoing loans and objects returned from being loaned, working in collections, assisting in the de-installation of an exhibit, and office tasks like scanning and filing catalog cards and accession lot folders.

My main project this summer was to work with two other registration interns documenting the un-accessioned collections. To prepare for our work in registration work we received object-handling training from conservation staff members and training from registration staff to operate work assistance vehicles (WAV) and pallet jacks. We photographed, recorded measurements, and re-housed disassociated fragments from their parent object and un-accessioned material. After photographing the objects we edited the photo files and embedded them with metadata. Then we made custom storage mounts, and shelved the objects in their appropriate locations in collections. I was also taught how to enter some cataloging information and object dimensions into EMU.

We learned to use the barcode system in collections. When working on the documentation project we assigned a barcode to each item. New acquisitions were also assigned barcodes. In addition we re-associated a group of fragments using the barcode system to locate their parent objects and conducted an inventory by scanning the barcodes of un-accessioned works on paper.

olsen3I learned the procedure for processing new acquisitions into the collection.  We unpacked crates, took reference photos, and made/wrote condition reports and lot forms. For cloth objects we made tags with NMAI catalog numbers and sewed them down. The procedure was much the same for the outgoing objects for the Anishinabe exhibit at the George Gustav Heye Center in New York City. We checked the condition of each object and compared it to previous condition and conservation reports. When objects came back from a loan I helped Museum Registration Specialist for Loans, Rajshree Solanki, unpack objects and updated their condition paperwork. We also wrote condition paperwork for peace medals that were de-installed at the NMAI Mall Museum in Washington, D.C.

During the second part of my internship I met with NMAI curator Emil Her Many Horses who guided me through NMAI’s beadwork collections. I learned about the progression of beading (from quillwork to early beading to the present day), different cultural styles of beadwork, and beading techniques. The information he imparted will be key to completing my project this fall at the Riverside Metropolitan Museum and Sherman Indian High School.

This internship also gave me access to knowledge via tours of other Smithsonian Museums and events sponsored by the Office of Fellowships and Internships. I was able to see collections storage practices at National Museum of Natural History, the Hirshhorn, and National Air and Space Museum and toured the Folklife festival with curators from the Smithsonian Center for Folklife and Cultural Heritage. The “From Here to Career”, an event hosted by OFI, gave me the opportunity to talk to Smithsonian museum professionals.

My internship at NMAI has been an incredible experience.  I will be able to apply all the skills I learned while working at NMAI to my project at the Riverside Metropolitan Museum and Sherman Indian High School.  I have been able to see objects I have only ever read about, interact with fantastic people, been given advice that will impact the rest of my academic career, and formed professional relationships. Highlights of my experience have been: Moving a totem pole, documenting strange animal specimens, getting to see collections while re-associating fragments, and learning about beadwork with Emil Her Many Horses.

Thank you Smithsonian Affiliations for this amazing opportunity. I have enjoyed every minute of it and am gearing up to complete the next part of the internship in Riverside.

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Summer receiving a Certificate of Award at the Congressional Reception during the 2013 Affiliations National Conference. Left to right: Smithsonian Secretary, G. Wayne Clough; Summer Olsen, Smithsonian Regent, France A. Córdova; Smithsonian Assistant Secretary for Education and Access, Claudine Brown; Riverside Metropolitan Museum Curator of Collections & Exhibitions, Brenda Focht; Riverside Metropolitan Museum Curator of Collections & Historic Structures, Lynn Voorheis; and Smithsonian Affiliations Director, Harold Closter.

“American Sabor” at the American Jazz Museum

Special thanks to Monica Reardon, Smithsonian Affiliations summer intern, for authoring the Smithsonian Magazine Museum Day Live! blog series.

Located at the crossroads of 18th & Vine, the Jazz District of Kansas City, Missouri, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits, films, programs, and performances.  Since 1997, the museum has focused on the preservation, exhibition and advancement of the story and spirit of jazz. The museum became a Smithsonian Affiliate in 2000.

Coinciding with Smithsonian Magazine Museum Day Live!, the museum is displaying American Sabor:  Latinos in U.S. Popular Music, organized for travel by the Smithsonian Institution Traveling Exhibition ServiceAmerican Sabor presents the musical contributions of U.S. Latinos from the 1940s to the present with a focus on the social history and individual creativity that produced stars like Tito Puente, Ritchie Valens, Celia Cruz, Carlos Santana and Selena.  Various programs and activities will be featured with the exhibition, such as conversations, performances, and workshops.  The exhibition will be at the Museum from August 1, 2013 to October 27, 2013. Read a special guest post on the American Sabor Blog.

Is the Smithsonian in your neighborhood? Find out which other Affiliates are participating in #MuseumDayLive on September 28, 2013, here.

Recent press from American Sabor at the American Jazz Museum:
Ford Motor Company : Kansas City Council Commemorates Ford Fund for Bringing American Sabor Exhibit to American Jazz Museum

2013 Affiliations National Conference Resources

Thanks to everyone who joined us at the 2013 Affiliations National Conference! We had a record-breaking 119 attendees from 74 Affiliates in 31 states and Puerto Rico join us! We know we learned a lot from you and hope you learned something new, met a new colleague, or discovered new possibilities while you were in town. Feel free to share the below post-conference resources with your colleagues who weren’t able to join us this year. And stay tuned…we’ll be uploading the digital recordings for many other sessions shortly. For now, enjoy the webcasts from our two keynote addresses and our one session on mobile marketing as well as the PowerPoint presentations from most sessions (Click on each speaker’s name to find the presentation). View the conference guidebook here and check out photos on our Flickr Photostream too! Contact Elizabeth Bugbee with any questions, comments or other feedback. Thanks for a seriously amazing conference!

Tuesday, June 11
Keynote Address:
Re-purposing the Museum: Using Digital Tools to Re-engage Young Audiences
Stephen Brown, President and Executive Producer at Mobile Digital Arts and General Manager of the New Learning Institute

Linking the Landscape: Digital Outreach to Small Towns and Rural Communities
Tom Falvey, Director of Education, South Carolina State Museum
Carol Harsh, Director, Museum on Main Street, Smithsonian Institution
Sonchia Jilek, Executive Director, The Pinhead Institute

Digital Trends: Crowdsourcing, 3-D, and Badging, Oh My!
Herbert Maschner, Director, Idaho Museum of Natural History
Lynn-Steven Engelke, Director of Programs, Smithsonian Center for Learning and Digital Access
Kathryn Burke, Museum Technician, National Postal Museum

SITES=Success: Transforming Museums Through Traveling Exhibits
Micah Parzen, Chief Executive Officer, San Diego Museum of Man
Betsy Gordon, Project Manager, National Museum of the American Indian
Jonathan Stevens, President and Chief Executive Officer, American Textile History Museum
Jennifer O’Keefe, Special Assistant to the Director, Smithsonian Institution Traveling Exhibition Service

Establishing Deeper Connections: Creating a Culture of Membership
Christi Janssen, Executive Director, The Durham Museum
Laurie Pillman, Membership Coordinator, Peoria Riverfront Museum

Make It Mobile: The New Museum is in Your Hand
Richard Cooper, Manager of content Development & Interpretation, National Underground Railroad Freedom Center
Heather Foster, Writer, Editor, Web Content Manager, Smithsonian Institution Traveling Exhibition Service
Nancy Proctor, Head of Mobile Strategy & Initiatives, Smithsonian Institution

What’s The New Normal? Strategies for Survival and Reinvention
Thomas Stoneback, Executive Director, National Canal Museum
Jose Santamaria, Executive Director, Tellus Science Museum
Camille Akeju, Director, Smithsonian Anacostia Community Museum

Wednesday, June 12
A Peek at “Object Project” at the National Museum of American History (Workshop Tour)
Howard Morrison, Director of Education and Interpretation
Judy Gradwohl, Assistant Director for Education and Public Programs
Click here for a diagram reporting on visitors’ responses to questions about their connections to history, motivations for visiting, expectations for their visit, actual visit experiences, and perceptions of benefits.
Click here for the front-end evaluation report for the new National Museum of Natural History learning center.

Keynote Address:
Envisioning a National Network of Early Learners
Kimberlee Kiehl, Executive Director, Smithsonian Early Enrichment Center
With an introduction from Marsha L. Semmel, former Director of Strategic Partnerships, Institute of Museum and Library Services

Full STEAM Ahead: Integrating Science, History and Art
Ellen Rosenthal, President and CEO, Conner Prairie
Brian Mancuso, Director of Exhibits, Conner Prairie
Jeff Dunn, Planetarium Supervisor, Mystic Seaport
Deborah Stokes, Education Specialist, National Museum of African Art

Collaboration Block: Seriously Amazing Opportunities

  • Places of Invention: The Lemelson Center for the Study of Invention & Innovation
    Julia Swan, Adult Public Programs Manager, Museum of History and Industry
    Anna Karvellas, Places of Invention Affiliates Project Coordinator, The Smithsonian’s Lemelson Center for the Study of Invention & Innovation
    Kate A. Lukaszewicz, Lead Educator, Senator John Heinz History Center
  • Youth Capture the Colorful Cosmos: Smithsonian Astrophysical Observatory
    Combined session presentation
    Lindsay Bartholomew, Miami Science Museum, Moderator
    Christopher Myers, U.S. Space & Rocket Center
    Chelsea Dorman, Educator, College Park Aviation Museum
    James Wells, Education Program Manager, York County Culture & Heritage Museums
  • Our American Journey
    Elizabeth Bly, Director of Grants, Japanese American National Museum
    Magdalena Mieri, Director, Program in Latino History & Culture, National Museum of American History
    Pino Monaco, Director of Program Evaluation & Audience Research, Smithsonian Center for Learning and Digital Access
  • Smithsonian Science NOW: National Museum of Natural History
    Combined session presentation
    Margaret Benson, Online Community Manager
    Colleen Marzec, Managing Producer Web Portal


Created with Admarket’s flickrSLiDR.

the Smithsonian in Miami Science Museum’s neighborhood

Special thanks to Lindsay Bartholomew, Science Curator at the Miami Science Museum, for allowing us to repost these amazing blogs. 

With 175 Smithsonian Affiliates in 40 states, Panama and Puerto Rico, there is always an opportunity for people to engage with the Smithsonian in their own communities. Here’s an example of one Affiliate’s recent collaborations with the Smithsonian Astrophysical Observatory, National Museum of American History, and Smithsonian Magazine. Are you an Affiliate interested in guest blogging or seeing your collaborations posted here? Contact Elizabeth Bugbee for more information.

Smithsonian Affiliations- Opportunities Galore!
The Smithsonian is a name recognized all over the world. Internationally, if people know one museum in the US, it’s most likely the Smithsonian. But through Smithsonian Affiliations, museums all over the country can partner in efforts to share science, art, and history with everyone. The Miami Science Museum is a proud Affiliate member, and recently has taken advantage of several unique opportunities made available by the Smithsonian. Read more…

Students filled the Miami Science Museum theater for the town hall meeting to talk to local environmental experts for the National Youth Summit: Dust Bowl. Photo credit- Miami Science Museum.

The Dust Bowl – Man and Nature, Cause and Effect
The Miami Science Museum is one of only 10 museums nationwide that was selected to participate in the Smithsonian’s National Youth Summit on October 17th.  The focus of this summit was contemporary environmental issues and the legacy (as well as lessons learned) from the Dust Bowl period in the 1930s. During this time, the boom of wheat farming (sometimes called the “great plow-up”) brought on a 10 year drought, showing that human activities can cause large scale environmental effects. Students from around the country participated in the summit via video/web conferencing, and had the opportunity to view clips from Ken Burns’ recently released “The Dust Bowl” documentary. They discussed what they learned from the Dust Bowl and shared ideas on how they can be protectors of their environments.  The overarching theme of the event was to explore how to better understand the complexity of environmental issues and to learn what people can do today to avoid (or lessen) other environmental crises. Read more…

Baby’s First Museum
It’s not something normally recounted in baby albums, but as you read this story, you may start to wonder . “Why not?” You always hear about baby’s first words, first steps, first laugh – but what about baby’s first museum? Recently the Museum received a lovely email from a family who brought their 3 month old son to our Museum, on a free-admission day sponsored by Smithsonian Magazine’s Museum Day Live. They were not sure how much he would even react to the trip. But as it turns out, baby loved the Museum just as much as mommy did when she came here as a child. This is the kind of story that makes our work at the Museum all the more worthwhile…Read more…

Youth Capture the Colorful Cosmos
We’ve all seen the amazing images from the Hubble Space Telescope. The details in the colors and swirling patterns are not just beautiful – they also tell a story about what is happening there. Is that cloud of gas and dust a nursery for newborn stars? Are these massive bubbles of gas that have exploded from a supernova? And perhaps most importantly, who creates these images, and how? Read more…  And read even more in the YCCC blog series from Pinhead Institute, an Affiliate in Telluride, Colo., here.


Created with Admarket’s flickrSLiDR.

 

 

“De-aging” George Washington

Special note: This story has been condensed and reprinted from the Summer 2006 edition of The Affiliate newsletter. Part of our Seriously Amazing Affiliates blog series.

Mount Vernon Estate and Gardens has preserved the home of George Washington for more than 150 years, always striving to present the most current and well-researched scholarship about our nation’s first president. In 2006, the Donald W. Reynolds Museum and Education Center opened at Mount Vernon, featuring three life-size mannequins of Washington, created, in part, through a unique collaboration between Mount Vernon, a Smithsonian Affiliate; several Smithsonian experts; and the National Museum of Dentistry, also an Affiliate. 

Jeffrey Schwartz, physical anthropologist and professor at the University of Pittsburgh, led the two-year effort. Using his knowledge of teeth and bone structure, Schwartz examined the existing evidence for clues about George Washington’s appearance at different times in his life. Aiding him in this forensic reconstruction was the Partnership for Research in Spatial Modeling (PRISM), a laboratory at Arizona State University that specializes in 3-D digital imaging.  

3-D computer generated images are a result of scanning Washington’s life mask and portrait bust. Photo courtesy of Mount Vernon Ladies Association.

Mount Vernon identified the many relics of Washington’s life that could provide necessary information. Using a computerized digital scanner, Schwartz scanned a 1785 life mask owned by the Morgan Library & Museum, a Jean-Antoine Houdon bust at the Corcoran Gallery of Art and a full body Houdon sculpture in the Virginia State Capitol Rotunda. Many of the Washington objects owned by the Smithsonian were also scanned or examined by Schwartz and his team.  

One of the biggest challenges was determining what Washington looked like as a young man as no portraits depict his image before the age of 40. To help, the National Portrait Gallery provided insight into the many portraits of Washington, as well as into the conventions of 18th century portraiture. 

Washington’s dentures played a vital role in reconstructing Washington’s face. As he lost teeth and bone in his jaw, the shape of his face changed. Dentures also change the jaw line depending on how they fit in the mouth. By examining the dentures that Washington used in his lifetime, the team was able to create a timeline that identified the progression of Washington’s tooth loss. As the mannequins depict Washington at the ages of 19, 45 and 57, this timeline provided critical information on the changing shape of Washington’s face. 

A set of George Washington’s dentures. Photo courtesy of the National Museum of Dentistry.

Three versions of Washington’s dentures can be found at the National Museum of Dentistry in Baltimore, Maryland. One is an original, complete denture for the lower jaw dated 1795, while the other two are replicas of dentures in other collections. 

Since 18th century portraits emphasized the sitter’s face and not the body, information on Washington’s build was extracted from his clothing. By taking volumetric measurements of his trousers, waistcoats and shirts, clues to Washington’s height (6’ 2”) and build could be extrapolated.  

The National Museum of American History gave the team access to Washington’s military uniform which provided the prototype for the costume to be worn by the 45-year-old mannequin depicting Washington at Valley Forge.  

After consulting with these experts, the scans and measurements were fed into a special computer program that produced three-dimensional images of Washington. Eventually, the images were printed out or “milled” on a special machine into high-density foam, and the mannequins became reality.