Tag Archive for: Smithsonian Affiliations

annette shumway: summer at the smithsonian

We invited our recent Smithsonian Affiliate interns and visiting professionals to blog about their experiences in our “Summer at the Smithsonian” series. Below, Annette Shumway, intern partner from the Frost Art Museum (Miami, FL) shares the story of her summer internship at the National Postal Museum.  Special thanks to Annette for this post!

As a graduate student in the Museum Studies Certificate program at Florida International University I’ve focused much of my research efforts on digitization projects being undertaken by museums and archives.  I am particularly interested in the effective administration and proper usage of current technologies for digital projects and believe that without organization much time and resources could be wasted. I was looking for an internship that would provide a meaningful, sensory experience that would enhance all of the learning that I had acquired, but couldn’t quite find one. When my Museum Studies Coordinator suggested I look into Smithsonian Affiliations Internship Program (our campus museum –The Frost Art Museum- is a Smithsonian Affiliate), I was excited because I would actually be able to execute my own project at the Frost, after I acquired hands-on skills at the Smithsonian.

I was placed with Kate Diggle, Database Administrator at the National Postal Museum (NPM). At NPM digitization of the collection is a high priority.  While at the museum I had the opportunity to work on two different projects involving digitization. 

We worked on one collection consisting of modern philatelic and postal history artifacts which are being transferred from the USPS to the National Postal Museum’s care.  We re-housed, marked, and cataloged all of the objects during the first phase. Next, we created digital records for more than 4000 records down to the item level.   Hard work, but we accomplished our task a month ahead of schedule!  With the help of curators and conservation staff, we identified the items that would be the best candidates for imaging. Some of the artifacts in the collection were larger than the imaging equipment we had in-house, so we couriered these objects to a facility that would be able to handle our imaging needs. It was fascinating to courier the objects and to have access to some of the most state-of-the-art equipment in the field of image capture.  

The second project involved the actual image capture of artifacts for an upcoming exhibit.  These images were added to the museum’s database and will be available online when the exhibit opens. This helps to preserve artifacts like letters from revolutionary war, civil war, and both world wars for future generations of researchers.  Thanks to instruction from the preservations, collections, and web team at NPM, I was able to hone the handling, technical and editing skills necessary for completing projects in digitization field.

Taking part in both of these projects has helped me understand the logistics behind coordinating loans and standards involved in collections’ imaging projects. I feel that much of the experience that I gained through this period will aid in the second portion of my internship at the Frost Art Museum. I look forward to contributing valuable knowledge to the digitization plan and efforts at the Frost.

affiliates in the news: week of July 12

Congratulations to these Affiliates making headlines this week! 

The John E. Kushner Restoration Pavilion will consist of a build-out of the existing 940 Magazine St. warehouse.

National World War II Museum (New Orleans, LA)
For the past 10 years, visitors to the National World War II Museum have gazed upon such carefully restored artifacts as tanks, Jeeps and Higgins landing craft.By next spring, they should be able to watch restorers preparing those treasures for prime time…READ MORE

Frazier International History Museum (Louisville, KY)
WKU graduate student selected for prestigious Smithsonian internship…READ MORE 

MSU paleontologist Jack Horner and team arrive in August 2007 at a site on the Hell Creek Ranch to excavate a Triceratops (Photo by Lon Bolick)

Museum of the Rockies(Bozeman, MT)
MSU finds Triceratops, Torosaurus were different stages of one dinosaur… READ MORE

North Carolina Museum of Natural Science (Raleigh, NC)
The North Carolina Museum of Natural Sciences on Tuesday introduced the director of its new Nature Research Center and accepted a $1.5 million gift to support the centerREAD MORE  

Conner Prairie (Fishers, IN)
Kids often hear “Look, don’t touch.” At Conner Prairie, families are encouraged to explore with all their senses…READ MORE

New York State Museum (Albany, NY)
A New York State Museum paleontologist has become the only scientist in the U.S. selected to participate in an all-expense paid research program in Spain that will enable him to investigate the effects of climate change on mammals over the last 2 million years… READ MORE 

 

Francis Koenig, founder of AnnMarie Garden, lived long enough to see the first permanent sculpture installed as he requested, a sculpture fountain dedicated to the oyster tongers. (Annmarie Garden, Baltimore Sun / July 14, 2010)

Annmarie Garden(Solomons, MD)
…Today, Annmarie Garden is a Southern Maryland gem – a woodland preserve dotted with art ranging from world-class sculptures to whimsical fairy houses created by staff…READ MORE

are you wendish?

wendishThis question has been on my mind since visiting the Institute of Texan Cultures to announce our new affiliation on January 28, 2010.  Housed in the formidable Texas Pavilion, a landmark of San Antonio’s HemisFair Park, the Institute celebrates the diverse heritage of early Texans in its core exhibition, Texans One and All. Here one finds thoughtfully interpreted and artifact-filled displays of Mexican, African American, Czech, German, Jewish, and Lebanese Texans, among others, and…. Wends.

A quick survey of friends and Smithsonian savants revealed that I was not alone in my unfamiliarity with this group of Texans.  Wends it turns out are a Slavic people who began migrating into Germany and the Baltic region in the first millennium and have maintained their ethnic identity ever since.  The Wends of Texas, better known as Sorbs or Lusatian Serbs, first arrived in Texas in 1853, settling in German speaking areas, and eventually populating the towns of Serbin and Giddings.

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UTSA President Dr. Ricardo Romo; Dr. Harriett Romo Director of UTSA CAPRI/MEXICO CENTER; Harold Closter, Director of Smithsonian Affiliations and Tim Gette, Executive Director, ITC.

The Institute of Texan Cultures, organizer of the Texas Folklife Festival, served as a catalyst for the revitalization of Wendish culture in Texas through its annual call for festival participants, which helped to launch the Texas Wendish Heritage Society.  Today, according to the Institute, “the community at Serbin holds an annual Wendish Fest and extends a welcome, Witajcže K’nam, to visitors. During the affair church services are conducted in German and English, a Czech band may play, and corn-shucking contests are held. Some of the local descendants dress in European Wendish costume.”  The Institute emphasizes colorful Wendish wedding traditions in its display.

This is just one of the many stimulating encounters to be found at the Institute of Texan Cultures.  It is not surprising that a state with so much space and so many natural resources would be a magnet for so many different people.  Whether familiar or not, there is always much to learn about the heritage of our predecessors, and the adaptations and sacrifices made or forced upon them.  At the Texas banquet table, diversity is served in complex and compelling dishes.  There’s room for all at this enormous spread….including the Wendish.

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Tim Gette and Congressman Charles A. Gonzalez (TX-20) at ceremony announcing the affiliation between the Institute of Texan Cultures and the Smithsonian Institution.

Stop by the Institute of Texan Cultures when you are next in San Antonio and offer a hearty Witajcže K’nam.  They’ll know what you’re talking about.

Together Again: The Smithsonian and the Putnam museum

Announcing Their Affiliation, January 21, 2010

Through our new partnership, we join forces to preserve the evidence of our world and the world of those who came before, in order to educate, inspire, and help us make informed decisions about our future. 

The Smithsonian Institution and the Putnam Museum of History and Natural Science in Davenport, Iowa, both emerged in the mid-nineteenth century for similar reasons — the quest for knowledge about the natural world and the desire to make this new knowledge available to people of all financial means.  Davenport’s illustrious group of scientists was well known in the nation’s capital.  Charles C. Parry, one of the leading figures at the Davenport Academy of Natural Sciences, conducted botanical research at the Smithsonian between 1869-1871.  J. D. Putnam, another prominent scientist from Davenport was, in the words of Smithsonian Secretary Spencer F. Baird, “a devoted friend and conscientious collaborator.”

Plains tradition winter count on calf skin, 1798- 1922

Plains tradition winter count on calf skin, 1798- 1922

The objects from the Putnam’s collection placed on display for the Affiliations Announcement  — slave yoke, Plains Indian winter count, frontier quilt, Lincoln political banner, Lincoln’s signed pardon of Sioux Warriors, plant specimens collected and classified by 19th-century women scientists of Davenport, Japanese Friendship Doll, Bix Biederbeck’s cornet, and meteorite — demonstrate the shared goals and common bonds that have long prevailed between our organizations. Like the Smithsonian’s collections, these objects reflect the depth and importance of the Putnam’s collections as well as the breadth of its interests.  Also, like the Smithsonian’s collections, these objects pose big questions for which there are not always easy answers.  Meteorites challenge us to understand the nature of the universe; slave shackles challenge us to understand the nature of humanity. 

Proudfoot Memento Mori/Signature Quilt Top, 1847-1856

Proudfoot Memento Mori/Signature Quilt Top, 1847-1856

All of these objects speak of the complexity of our world and humankind’s struggle to survive, adapt, and transcend.  And while these objects may have specific significance to Iowa and the Midwest, they are also, in spirit, part of the larger national collections housed at the Smithsonian.  Together they tell the incredible story of our nation and our people — a story of continuity and change, of tradition and innovation, of conflict and cooperation, and of triumph over adversity.

Detail of Proudfoot quilt

Detail of Proudfoot quilt

The Smithsonian congratulates the Putnam Museum of History and Natural Science on its many accomplishments and well-deserved reputation, and looks forward to a long and productive partnership together.

All photos courtesy Putnam Museum

affiliates in the news: week of Dec 14

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Congratulations to these Affiliate news-makers!

Discovery Science Center
(Santa Ana, California)
Science center unveiling huge globe

Tellus Northwest Georgia Science Museum (Cartersville, Georgia)
New museum nets 100,000 visitors to planetarium

Rubin Museum of Art (New York, New York)
NOW OPEN! Visions of the Cosmos

Virginia Museum of Natural History (Martinsville, Virginia)
VMNH names Ohio scientist to head local museum

Virginia Museum of Natural History trustees appoint new executive director

Georgia Aquarium (Atlanta, Georgia)
Georgia Aquarium exhibit explores world of ocean predators