Tag Archive for: plimoth

Kudos Affiliates!! September 2021

Congratulations to these Affiliates on their recent accomplishments! Do you have kudos to share? Please send potential entries to Aaron Glavas, GlavasC@si.edu.

FUNDING

Framingham State University (Framingham, MA) is part of a six university consortium, as well as the Massachusetts Department of Higher Education, to receive a $441,367 grant from the U.S. Department of Education (DOE) aimed at increasing the number of college courses utilizing free Open Educational Resources (OER) rather than costly textbooks. The project – Remixing Open Textbooks through an Equity Lens (ROTEL): Culturally Relevant Open Textbooks for High Enrollment General Education Courses and Career and Professional Courses at Six Public Massachusetts Colleges – will test the hypothesis that underrepresented students will achieve higher academic outcomes if free, culturally-relevant course materials that reflect their experiences are utilized. Student savings on textbooks over the three-year grant period are projected to be over $800,000, and the goal is to create a new model that provides continued savings long into the future.

The Dubuque Museum of Art (Dubuque, IA) received a $20,000 operational support grant from the Dubuque City Council as a result of the financial impact from the pandemic.

The Infusion Fund awarded Carolinas Aviation Museum (Charlotte, NC) an $80,573 grant to support the museum’s operating budget which was impacted by the pandemic. The Museum also received a $1.5 million gift from Honeywell to catalyze the launch of the The Lift Off Campaign to develop a new state-of-the-art facility in Charlotte.

The National Park Service announced the award of 17 projects of the Underrepresented Community Grant Program which is focused on working towards diversifying the nominations submitted to the National Register of Historic Places:

  • History Colorado (Denver, CO)- $46,930 to conduct a survey and solicit nominations for Women’s Suffrage Sites in Colorado.
  • Ohio History Connection (Columbus, OH)-$50,000 to administer a nomination process for three Green Book sites in Ohio.
  • Oklahoma Historical Society (Oklahoma City, OK)-$50,000 for the architectural/historic survey of Oklahoma’s All-Black Towns.

The following Affiliates initiatives were some of the 239 humanities projects awarded grants from the National Endowment for the Humanities:

  • Japanese American National Museum (Los Angeles, CA) ($75,000) for planning for Cruising J-Town: Nikkei Car Culture in Southern California, an exhibition on Japanese Americans’ car culture throughout the 20th century in California.
  • Florida International University (Miami, FL) ($250,000) for preparation of a collection of essays on the architecture of the African diaspora in the United States entitled Architecture of the African Diaspora in/of the United States.
  • Florida International University ($349,646) for the rehousing of works on paper, photographs, and textiles from an offsite storage facility to new compact shelving and cold storage at The Wolfsonian.
  • Kona Historical Society (Kealakekua, HI) ($10,000) for the purchase of storage materials and installation of shelves to house a collection of historical photographs, unpublished diaries, journals, letters, family records and memorabilia, land documents, and selected Kona newspapers and articles documenting regional history and vanishing cultural traditions.
  • Krannert Art Museum (Champaign, IL) ($200,000) for implementation of a reinterpretation of the museum’s permanent gallery of Andean art and the creation of a digital portal allowing deeper exploration of the collection.
  • Plimoth Patuxet Museums (Plymouth, MA) ($163,742) to develop a two-week, residential institute Ancient Stories, New Neighbors: Decolonizing Indigenous Homelands and 17th-Century New England for 25 K–12 teachers on the history of Indigenous peoples in southern New England.
  • Montana Historical Society (Helena, MT) ($263,415) for the digitization of 100,000 pages of Montana newspapers to increase geographic coverage, especially of Native American newspapers published on or near reservations, as part of the National Digital Newspaper Program.
  • City Lore, Inc. (New York, NY) ($75,319) for the development of a feature-length film The Colfax Massacre about a Reconstruction-era conflict between southern whites and African Americans and its legal and social legacy.
  • The Witte Museum (San Antonio, TX) ($75,000) for the planning for a reinterpretation of the museum’s permanent exhibition Where Nature, Science and Culture Meet on the history of Texas.
  • Hermitage Museum & Gardens (Norfolk, VA) ($9,366) for a preservation assessment of the collections representing more than 30 global cultures and 5,000 years of world history, from the Neolithic era to the early 1950s.

The Institute of Museum and Library Services (IMLS) announced grant awards through the agency’s largest competitive grant program, Museums for America, and its special initiatives, Museums Empowered and Inspire! Grants for Small Museums to improve services to their communities:

Museums for America

  • History Colorado ($249,886) to strengthen the implementation of the “Museum of Memory” project by maximizing community-led collective memory work and its contribution to social wellbeing. This public history program brings community together to remember and document their experiences, creating opportunities for those historically impacted by systems of oppression and inequality to explore their past through memory sharing, storytelling, grassroots collecting efforts, and art-based community share backs. 
  • North Carolina Museum of Natural Sciences (Raleigh, NC) ($250,000) to add a new, permanent paleontology exhibition, Dueling Dinosaurs, and a public lab that will allow middle school students to explore a variety of fossils using hands-on tools and techniques.
  • Anchorage Museum (Anchorage, AK) ($181,143) seeks to decolonize its collection through the dissemination of images and materials related to the Chickaloon Native Village. The project will expand access to collections with digital surrogates and newly created metadata made available online through both the village’s and the museum’s online image databases. The museum will hire an archivist, a collections technician and involve village elders to work on the project. Although this is the first project of this kind undertaken by the museum, it will serve as a model for future relationships with other Alaska Native villages.
  • Wing Luke Museum (Seattle, WA) ($178,311) to develop a new program series, Wing Luke Community Connections, of Asian American and Pacific Islander (AAPI) art workshops, art talks, free public readings, film screenings, and discussions. The series will feature a variety of artists, authors, filmmakers, and scholars who have been exploring the diverse AAPI immigrant experience to bring greater understanding to historic roots, heritage and culture, socio-political issues, and ongoing identity formation.
  • Plimoth Patuxet Museums ($212,742) to develop History in a New Light: Reimagining Wampanoag and Indigenous Museum Education, a series of educational programs, resources, and events responding to increasing demand for nuanced and fact-based histories told from indigenous perspectives.
  • Putnam Museum and Science Center (Davenport, IA) ($245,639) to partner with the Science Museum of Minnesota—creators of the Race: Are We So Different? exhibit—for the “Ground on Which We Stand” project. The initiative will distill the themes of the Race exhibit through the lens of local history so that participants can learn about, build pride in, and embrace the collective identity of their diverse community.
  • Museum of the Rockies (Bozeman, MT) ($167,830) to create an exhibit exploring the region’s Native people. “American Indian Voices: Natives of the Northern Plains and Rockies” will examine cultural history, language and storytelling, and contemporary art and voices. The museum also will create a K–12 curriculum in accordance the Montana Office of Public Instruction that will assist teachers in interpreting American Indian culture and prepare students to visit the exhibit.
  • Arizona State Museum (Tucson, AZ) ($190,953) in partnership with The Poetry Center and Center for Digital Humanities will create a digital museum with exhibit locations in diverse areas of Tucson as well as accompanying activities for K-12 classrooms, families, and adults. The collaborative virtual outdoor museum will use geolocation technology and offer augmented reality encounters with curators, educators, poets, and community tradition bearers.
  • Michigan State University Museum (East Lansing, MI) ($170,332) to improve storage conditions for a large and diverse collection of apparel and textiles that are used for teaching and research. 
  • High Desert Museum (Bend, OR) ($217, 350) to develop design plans for a new 4,500 square-foot permanent exhibit entitled “Creating Together”, to help visitors better understand the indigenous plateau region, ancestral homeland of many indigenous communities and plateau tribes.
  • Michigan Science Center (Detroit, MI) ($105,499) to purchase a portable planetarium that will bring planetarium shows to more than 2,000 children through its Traveling Science Program.
  • Connecticut Historical Society (Hartford, CT) ($219,385) to create a new public-facing initiative, the Community Historian Project. This contemporary collecting project—which gathers items of the recent past as well as from events happening today—will develop community historians to identify, document, and preserve their experiences as residents of Connecticut, and share these experiences during a series of community presentations.
  • Northwest Museum of Arts and Culture (Spokane, WA) ($249,589) to expand access to its collections of inland northwest history, art, and cultures with a long-term plan and policies for digital preservation of collection materials.
  • History Colorado ($249,725) to create an exhibition on the Sand Creek Massacre. The museum will partner with three tribes: Northern Cheyenne Tribe of the Northern Cheyenne Reservation, Northern Arapaho Tribe, and Cheyenne and Arapaho Tribes of Oklahoma. This exhibition will be the first in the U.S. to share the culturally vetted history of the massacre with the general public through the voices of Cheyenne and Arapaho tribal members.
  • Delaware and Lehigh National Heritage Corridor (Easton, PA) ($120,734) to conduct a wall-to-wall inventory of the museum’s main collections storage facility and physically and digitally improve access to the objects stored there.
  • Museum of Us (San Diego, CA) ($229,940) to reimagine the exhibit, Race: Are We So Different? and provide complementary educational programming to meet community needs. This will expand the museum’s culture of community collaboration and serve as a framework for community-centric activities, tours, workshops, and public programs.

Museums Empowered

  • Denver Museum of Nature and Science (Denver, CO) ($137,930) to develop an evaluation tool that measures the meaningfulness of the visitor experience. Project activities focus on developing, testing, and disseminating a tool to understand what makes visitors choose a museum, how that experience is remembered and shared, and how to create experiences to which visitors will want to return.
  • Rhode Island Historical Society (Providence, RI) ($26,618) to increase organizational capacity to address inclusion, diversity, equity, and accessibility (IDEA) issues across the museum, building upon existing institutional assessments of programming, interpretation, hiring processes, facilities, and vendor relationships.
  • Burke Museum of Natural History and Culture (Seattle, WA) ($217, 427) to hire a full-time diversity, equity, access, and inclusion (DEAI) coordinator who will further the museum’s strategic DEAI goals.

Inspire! Grants for Small Museums

  • The Dennos Museum Center (Traverse City, MI) ($47,100) to address the issue of overcrowding in their collections storage area which was identified through a 2020 Museum Assessment Program (MAP) report.
  • Christa McAuliffe Center for Integrated Science Learning (Framingham, MA) ($49,964) to implement a team mentorship and project-based learning program for local high school students. Program participants are tasked with creating campaigns (exhibits, videos, and presentations) that increase awareness of environmental challenges helping participants to develop knowledge, analytical and communication skills, and ethical viewpoints that guide their actions on local and global environmental issues.

AWARDS & RECOGNITION

The Shedd Aquarium (Chicago, IL) and the Greensboro History Museum (Greensboro, NC) were recipients of the Media & Technology MUSE Awards, presented by The Media & Technology Professional Network of the American Alliance of Museums (AAM):

Digital Campaign

GoldAs Shedd Aquarium Closed, Penguins Waddled into the Limelight
Shedd Aquarium

Research and Innovation

GoldPieces of Now: Murals, Masks, Community Stories and Conversations
Greensboro History Museum

2020 Response

SilverPieces of Now: Murals, Masks, Community Stories and Conversations
Greensboro History Museum

Kudos Affiliates!! August 2021

Congratulations to these Affiliates on their recent accomplishments! Do you have kudos to share? Please send potential entries to Aaron Glavas, GlavasC@si.edu.

FUNDING

The Iowa Department of Cultural Affairs awarded a grant to Dubuque Museum of Art (Dubuque, IA) for general operating support as part of a statewide effort to help fuel the resurgence of Iowa’s arts, film, heritage, humanities, and creative sectors as they continue to rebound from substantial financial losses as a result of the pandemic.

The African American Cultural Heritage Action fund from the National Trust for Historic Preservation awarded History Colorado (Denver, CO) a $50,000 grant to help preserve Black history. History Colorado is planning to create a statewide African American Heritage trail that will include virtual reality-based markers through a phone app in historical Black destinations.

Blue Origin and its foundation, Club for the Future, have awarded U.S. Space & Rocket Center (Huntsville, AL) and Space Center Houston (Houston, TX) a $1 million grant each to inspire future generations to pursue careers in STEM and help invent the future of life in space.

The 2021 grant cycle of the Nissan Foundation dispersed a total of $697,000 in grants to nonprofit organizations that promote cultural diversity:

  • Arab American National Museum (Dearborn, MI) received $20,000 to support AANM Public Programming Series 2021-2022.
  • Museum of Us (San Diego, CA)received $15,000 to host Race: Are We So Different? virtual workshops.
  • Japanese American National Museum (Los Angeles, CA) received $30,000 to fund its School Visits program, which enables school groups from throughout Southern California to visit the museum and witness the experiences of Japanese Americans from early immigration in the 19th century through the present.

The New Mexico Museum of Space History (Alamogordo, NM) was awarded a “One Small Step” grant from the SPACE 3.0 Foundation. The grant will allow the museum’s curatorial department to digitize more than a dozen space related 16mm films from the 1960s that reside in the museum’s collection, including several associated with the Gemini and Apollo programs.

Framingham State University (Framingham, MA) received a 2021-2022 NEA Big Read grant of $19,970 to support a community reading program focusing on An American Sunrise by Joy Harjo, the first Native American Poet Laureate of the United States.

AWARDS & RECOGNITION

USS Constitution (Boston, MA) was named winner in the “Historic Sites & Tours” category for Boston Parents’ Family Favorites. It is the fourth year in a row that the museum has received this award from the readers of Boston Parents Paper.

North Carolina Museum of History (Greensboro, NC) was the recipient of an Award of Excellence by the American Association for State and Local History for the multimedia project How We Got That.

The Education Professional Network of the American Alliance of Museums presented the Pandemic Innovation and Education award to the Durham Museum (Omaha, NE), recognizing the museum’s Museum Live! program. The Durham received the award in the mid-sized museum category that honored education efforts created, re-invented or revamped in response to supporting audiences during the pandemic.

Plimoth Patuxet Museums announced that Mayflower II has been named a recipient of the 2021 Paul and Niki Tsongas Award by Preservation Massachusetts, the statewide non-profit organization dedicated to preserving the Commonwealth’s historic and cultural heritage.

LEADERSHIP

The National Civil Rights Museum (Memphis, TN) has named Dr. Russell Wigginton as the museum’s next president.  Dr. Wigginton will begin his new position on August 1. He brings 29 years of experience in education, philanthropy, executive management, and program development, as well as strategic planning and partnership building.

Dawn DiPrince was named the new executive director of History Colorado (Denver, CO) and will assume the role on Sept. 1, 2021. She succeeds the retiring Steve Turner. Dawn has worked at El Pueblo History Museum and with all the other History Colorado Community Museums, moving to Denver in 2019 to become the organization’s chief operating officer.

Devon Akmon, director of Michigan State University’s Science Gallery Detroit, has been appointed to the role of director of the Michigan State University Museum (East Lansing, MI), effective July 1. Before coming to Science Gallery Detroit, Akmon served as a senior consultant with the DeVos Institute of Arts Management at the University of Maryland. Prior to that, he served as the second director of the Arab American National Museum.

bravo affiliates! kudos for december ’09 / january ’10

In these tough times, it’s nice to see some bright spots.  We’d like to acknowledge the following Affiliates for their hard work and accomplishments.

The Museum of Arts and Sciences (Macon, GA) received a $10,000 grant from College Hill Corridor to hold a spring break day camp at Tattnall Square Park.

Ellie Donovan has been named Executive Director of Plimoth Plantation (Plymouth, MA). Donovan has been associated with the museum since 1974, including serving as acting executive director since March. 

Michigan State University Museum (East Lansing, MI)earned the 2009 Dorothy Howard Folklore and Education Prize from American Folklore Society (AFS) for their publication “Folk Arts in Education: A Resource Handbook II,” a resource for educators to bring young people in touch with their communities, their ethnic identities and the authentic cultural expressions of their own families.

An anonymous $6 million donation to the Ohr-O’Keefe Museum of Art (Biloxi, MS) will fund construction on the Center for Ceramics, the fourth largest of the Frank Gehry buildings planned for the site.

Western Heritage Center (Billings, MT) received a $29,000 grant from the Montana Tourism Infrastructure Investment Program to replace an old boiler and install humidity control equipment.

The North Carolina Museum of Natural Sciences (Raleigh, NC) received a $4 million grant from the State Employees Credit Union Foundation.  The grant will fund the centerpiece of the Museum’s planned Nature Research Center – a three-story multimedia program area for announcing key environmental issues and recent scientific discoveries.

Strategic Air and Space Museum (Ashland, NE) has been awarded a $200,000 federal grant through the Community Development Block Grant program. The money will be used for the repair and upgrade of various building projects.

The Senator John Heinz History Center (Pittsburgh, PA) announced its accreditation by the American Association of Museums.

Wisconsin Maritime Museum  (Manitowoc, WI) won three Chicago/Midwest Emmy Awards for their documentary  “Lost and Found: Legacy of USS Lagarto,” about the submarine, built in Manitowoc during World War II, that was lost in the Gulf of Siam (now Thailand) and rediscovered in 2005.

bravo all!

affiliates in the news: week of november 23

Congratulations to all the Affiliates making headlines this week!

New York State Museum (Albany, New York)
NYSGS to play key role in national geothermal energy search
Geological Survey gets $280G federal DOE grant

San Diego Natural History Museum
(San Diego, California)
The Bug Counters

Plimoth Plantation (Plymouth, Massachusetts)
It’s time to talk turkey about Thanksgiving traditions
Thanksgiving Day Facts: Pilgrims, Dinner, Parades, More

Ogden Museum of Southern Art (New Orleans, Louisiana)
Ogden Museum Announces Retirement of Director J. Richard Gruber
Ogden director Rick Gruber retires

Museum of the Rockies (Bozeman, Montana)
MSU study explores violent world of raptors
Violent World of Raptors Explored

Arizona State Museum (Tucson, Arizona)
Scratching the surface of the Arizona State Museum

Dallas Museum of Nature and Science
(Dallas, Texas)
Museum of Nature & Science Breaks Ground on $185-Million Museum

musings from the new england museum association

SI Astrophysical Observatory's Black Holes exhibition, on view at the McAuliffe-Shepard Discovery Center in Concord, NH

SI Astrophysical Observatory's Black Holes exhibition, on view at the McAuliffe-Shepard Discovery Center in Concord, NH

One of the most interesting questions I heard asked at the New England Museum Association conference last week was, what’s the new non-profit normal?   There was a sense that both retrenching and rethinking are in order, but that steering museums through these turbulent times will produce changes that will last far beyond the economic crisis and our eventual recovery.

The new director of Affliate Plimoth Plantation (Plymouth, MA), offered one such road map.  It’s hyper-attentive visitor experience, and a zero tolerance for unsatisfactory comments.  One of the results of recent visitor surveys at Plimoth revealed that 93% of their visitors report a very satisfactory experience.  Pretty good right?!  Except for director Ellie Donovan, a missionary for high-quality visitor experience in every regard.  She recognizes that the other 7% represent 25,000 people who are not shopping in the store for things to remember a bad experience, and are not saying nice things to their friends.  In short, that 7% represent thousands of dollars of potentially lost revenue, that no museum or historical site can stand to lose.  A powerful argument.     

The keynote speaker at NEMA made a nuanced plea for new non-profit normal too, that is, how museums need to step up to their role as builders of social capital in a community.  Social capital is a metric, measured by community and state by such statistics as the number of active voters, volunteerism, crime rates, even TV-watching rates (a negative indicator).  Unsurprisingly, his research has shown that, the higher the social capital, the higher are other rates of happiness indicators – education achievement, lower incarceration rates, etc.  Lewis Feldstein, President of the New Hampshire Charitable Foundation, challenged all the museum professionals present to ask themselves how their organizations are building social capital.  Do new immigrants come to your museum to learn about the community’s history or cultural activity?  Do local civic groups call you to use your facilities for meetings?  Is your staff serving on community boards, active and visible members of civic life in your city?  All (and more) are important questions for establishing the relevancy of museums to the contexts of their communities.

But not all the discussions at the conference were that deep and soul-searching.  I was lucky to see Black Holes: Space Warps and Time Twists, an exhibition organized by the Smithsonian’s Astrophysical Observatory, at the McAuliffe-Shepard Discovery Center in Concord, NH.  (Ok, how many knew that Christa McAuliffe was a high school social studies teacher from Concord, NH High School?  Or that the quote, “I touch the future, I teach,” was hers?!)  It was a wonderfully interactive exhibit with a variety of media stations that allow the visitor to weigh black holes and dive into them, among other activities.    And I met the young enthusiastic safari-clad staff of scvngr – a do-it-yourself interface template for creating location-based, high-tech, mobile games.  So very fun.

Overall, a very pleasant, thought-provoking week in New England.  How about you – what’s the chatter at your regional association or museum?