“Hey Mom, guess what I did today? I moved a totem pole!”

Special thanks to Summer Olsen, 2013 Smithsonian Affiliations Intern Partner for writing this guest post. Summer spent 10 weeks at the Smithsonian this summer. She returns to California this fall to complete the second half of her intern partnership. Thank you, Summer!

summerolsenDuring my summer 2013 internship through the Smithsonian Affiliations Intern Partnership Program I assisted the Office of the Registrar at the Cultural Resources Center (CRC) of the National Museum of the American Indian (NMAI) from June 3rd to August 9th. Inventory Specialist Heather Farley and Assistant Registrar for Acquisitions Margaret Cintron supervised me.  During my internship in Registration I learned about the daily processing, tracking, and inventory of objects in collections, researched Plains beadwork with NMAI curator Emil Her Many Horses, and experienced the organization of other Smithsonian branches via intern tours and events. The skills and knowledge I developed during my internship will be applied to a comprehensive project involving an inventory and assessment of the Plains beadwork collections at the Riverside Metropolitan Museum (a Smithsonian Affiliate) and the museum at Sherman Indian High School in Riverside, California.

My time at the CRC has flown by and I have developed skills and gained knowledge by completing a variety of tasks: documenting the un-accessioned collections, processing new acquisitions, processing outgoing loans and objects returned from being loaned, working in collections, assisting in the de-installation of an exhibit, and office tasks like scanning and filing catalog cards and accession lot folders.

My main project this summer was to work with two other registration interns documenting the un-accessioned collections. To prepare for our work in registration work we received object-handling training from conservation staff members and training from registration staff to operate work assistance vehicles (WAV) and pallet jacks. We photographed, recorded measurements, and re-housed disassociated fragments from their parent object and un-accessioned material. After photographing the objects we edited the photo files and embedded them with metadata. Then we made custom storage mounts, and shelved the objects in their appropriate locations in collections. I was also taught how to enter some cataloging information and object dimensions into EMU.

We learned to use the barcode system in collections. When working on the documentation project we assigned a barcode to each item. New acquisitions were also assigned barcodes. In addition we re-associated a group of fragments using the barcode system to locate their parent objects and conducted an inventory by scanning the barcodes of un-accessioned works on paper.

olsen3I learned the procedure for processing new acquisitions into the collection.  We unpacked crates, took reference photos, and made/wrote condition reports and lot forms. For cloth objects we made tags with NMAI catalog numbers and sewed them down. The procedure was much the same for the outgoing objects for the Anishinabe exhibit at the George Gustav Heye Center in New York City. We checked the condition of each object and compared it to previous condition and conservation reports. When objects came back from a loan I helped Museum Registration Specialist for Loans, Rajshree Solanki, unpack objects and updated their condition paperwork. We also wrote condition paperwork for peace medals that were de-installed at the NMAI Mall Museum in Washington, D.C.

During the second part of my internship I met with NMAI curator Emil Her Many Horses who guided me through NMAI’s beadwork collections. I learned about the progression of beading (from quillwork to early beading to the present day), different cultural styles of beadwork, and beading techniques. The information he imparted will be key to completing my project this fall at the Riverside Metropolitan Museum and Sherman Indian High School.

This internship also gave me access to knowledge via tours of other Smithsonian Museums and events sponsored by the Office of Fellowships and Internships. I was able to see collections storage practices at National Museum of Natural History, the Hirshhorn, and National Air and Space Museum and toured the Folklife festival with curators from the Smithsonian Center for Folklife and Cultural Heritage. The “From Here to Career”, an event hosted by OFI, gave me the opportunity to talk to Smithsonian museum professionals.

My internship at NMAI has been an incredible experience.  I will be able to apply all the skills I learned while working at NMAI to my project at the Riverside Metropolitan Museum and Sherman Indian High School.  I have been able to see objects I have only ever read about, interact with fantastic people, been given advice that will impact the rest of my academic career, and formed professional relationships. Highlights of my experience have been: Moving a totem pole, documenting strange animal specimens, getting to see collections while re-associating fragments, and learning about beadwork with Emil Her Many Horses.

Thank you Smithsonian Affiliations for this amazing opportunity. I have enjoyed every minute of it and am gearing up to complete the next part of the internship in Riverside.

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Summer receiving a Certificate of Award at the Congressional Reception during the 2013 Affiliations National Conference. Left to right: Smithsonian Secretary, G. Wayne Clough; Summer Olsen, Smithsonian Regent, France A. Córdova; Smithsonian Assistant Secretary for Education and Access, Claudine Brown; Riverside Metropolitan Museum Curator of Collections & Exhibitions, Brenda Focht; Riverside Metropolitan Museum Curator of Collections & Historic Structures, Lynn Voorheis; and Smithsonian Affiliations Director, Harold Closter.

It all started with a field trip to NMAI.

IMG_5680A few years ago, members of Plimoth Plantation’s Wampanoag Indigenous Program made a trip from Plymouth, Massachusetts to Washington, DC to visit the National Museum of the American Indian. While there Darius Coombs, Associate Director of the program, noted in the museum’s canoe exhibition there was no representation of a traditional mishoon.  Today, he and Richard Pickering, Deputy Executive Director of Plimoth Plantation, are back in Washington, DC to meet with NMAI to coordinate their donation of a Wampanoag mishoon to the museum.

IMG_5665The meeting was held at NMAI’s  Cultural Resources Center where they were first granted a behind the scenes tour of the storage facility. It was quite a treat to be able to view the rows upon rows of drawers upon drawers of artifacts including the entire Wampanoag collection. After the tour Darius gave a brief presentation to the staff at NMAI CRC including this video of the Wampanoag mishoon trip to Martha’s Vineyard:

 

The meeting was a great success and we are eager to share follow up information as it becomes available. Stay tuned for more on this exciting collaboration!

New! PAL Talks- distance learning for Affiliates

Smithsonian Affiliations introduces PAL Talks (Partnering with Affiliates for Learning)!  Refresh your knowledge or learn something new about being an Affiliate and collaborating with the Smithsonian in webinars and video chats about membership, branding, artifact loans and more. 

Mobile App Clinic meeting

Our first Vidyo conference in February 2013 was a huge success!

Our successful pilot using Vidyo at the Mobile App Clinic last month showed us that Affiliates are eager to learn more about collaboration opportunities at the Smithsonian. We also thought Affiliates would like more opportunities to learn about each benefit of their affiliation in further detail.  

So we’re kicking things off with a Vidyo webinar about the Smithsonian Affiliations Membership Program. External Affairs Manager, Christina DiMeglio Lopez will lead the chat and explain why everyone should be taking advantage of “two memberships in one.”  

When: Wednesday, April 24, 3:00-4:00 p.m. (EST)
How: Vidyo video webinar

  • Participate with a web cam & mic- click here
  • View webcast only- click here (email questions during call to affiliates@si.edu)

Setup: Download and test the Vidyo software here. 
RSVP: bugbeee@si.edu

Questions? Contact Christina DiMeglio Lopez or Elizabeth Bugbee for more information about this new digital learning opportunity.

opportunities for Latino scholarship

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Our colleagues in the Smithsonian Latino Center are gearing up for a very busy 2013.

On November 7-9, 2013, the Smithsonian Latino Center will be hosting the Latino Art Now! conference, in collaboration with the Inter‐University Program for Latino Research (IUPLR) headquartered at the University of Notre Dame, and the Smithsonian American Art Museum.  Since 2005, the Latino Art Now! conference has become a leading national forum for artists, art historians, art professionals, educators, scholars, critics and art dealers.  Its aim is to explore U.S. Latino art and its relationship to contemporary American visual culture and art, while advancing awareness, education, scholarship and knowledge in this emerging field.

Held for the first time this year in Washington, D.C., the conference will coincide with the exhibition Our America: The Latino Presence in American Art, to open at the Smithsonian American Art Museum on October 25, 2013.  The organizing committee is currently accepting submissions for abstracts of papers to be given at the conference. 

Click here for full information about the conference, and how to submit a paper.

And, do you know (or maybe you ARE) an aspiring scholar who would like to spend the summer at the Smithsonian advancing research on Latino and Latin American art, history and culture?  Check out the Latino Museum Studies Program, giving graduate students the opportunity to do research, explore leadership opportunities, and complete a  practicum project with colleagues at the Smithsonian. 

Click here for full information about the Latino Museum Studies Program, and how to apply.

 

 

affiliations conference preview: spaces for learning

Do you operate an education center at your museum, or thinking about it?  Join us at the Affiliations National Conference on June 10-12  to meet colleagues who are opening or running new spaces for learning on the Smithsonian campus.  Through tours of these spaces, frank discussions with colleagues, exchanging resources and research, and hands-on activities, discover and share what makes an education center such a vital place in a museum.

Affiliations staff is currently working with the following museums to feature their education spaces:qurious

  • The National Museum of Natural History will be opening Q?RIUS in 2013, a new interactive 10,000 square foot programming space.  Q?RIUS will have access to a 20,000 specimen collection representing all departments of the museum, innovative programming and distance learning opportunities.
  • The National Museum of the American Indian’s imagiNATIONS activity center invites families to explore how Native peoples have adapted to natural environments with innovation.  Visitors can explore different kinds of transportation (snowshoes and skateboards), homes (tipis, adobes, igloos), hands-on activities (basket-weaving, Native percussion), and more.
  • The National Museum of American History is undergoing a major renovation that will result in new education spaces when they reopen in 2015.  Affiliates can talk to the staff about their planning and prototyping process, the “Object Project” and demonstration spaces, and explore possible collaboration opportunities.
  • The National Air and Space Museum’s Moving Beyond Earth gallery is an immersive space that puts visitors “in orbit.”  Affiliates can enter their Shuttle mock-up to learn about life in orbit (including the space toilet), or play the interactive SpaceFlight Academy, a group quiz that tests flight readiness.
  • The Hirshhorn Museum and Sculpture Garden’s very popular ARTLAB+ is a digital media studio forARTLAB teens.  Staff will share how they provide access to professional technology and art, coupled with mentorship, to develop a community of young creators and innovators.   

Come to the Affiliations National Conference in Washington, D.C., on June 10-12, and bring your own experiences with education spaces to share with Smithsonian and Affiliate colleagues in these hands-on tours.  See you there!

The Smithsonian Affiliations National Conference is for current Affiliates only. If you are interested in becoming an Affiliate, please contact Elizabeth Bugbee for more information.

“De-aging” George Washington

Special note: This story has been condensed and reprinted from the Summer 2006 edition of The Affiliate newsletter. Part of our Seriously Amazing Affiliates blog series.

Mount Vernon Estate and Gardens has preserved the home of George Washington for more than 150 years, always striving to present the most current and well-researched scholarship about our nation’s first president. In 2006, the Donald W. Reynolds Museum and Education Center opened at Mount Vernon, featuring three life-size mannequins of Washington, created, in part, through a unique collaboration between Mount Vernon, a Smithsonian Affiliate; several Smithsonian experts; and the National Museum of Dentistry, also an Affiliate. 

Jeffrey Schwartz, physical anthropologist and professor at the University of Pittsburgh, led the two-year effort. Using his knowledge of teeth and bone structure, Schwartz examined the existing evidence for clues about George Washington’s appearance at different times in his life. Aiding him in this forensic reconstruction was the Partnership for Research in Spatial Modeling (PRISM), a laboratory at Arizona State University that specializes in 3-D digital imaging.  

3-D computer generated images are a result of scanning Washington’s life mask and portrait bust. Photo courtesy of Mount Vernon Ladies Association.

Mount Vernon identified the many relics of Washington’s life that could provide necessary information. Using a computerized digital scanner, Schwartz scanned a 1785 life mask owned by the Morgan Library & Museum, a Jean-Antoine Houdon bust at the Corcoran Gallery of Art and a full body Houdon sculpture in the Virginia State Capitol Rotunda. Many of the Washington objects owned by the Smithsonian were also scanned or examined by Schwartz and his team.  

One of the biggest challenges was determining what Washington looked like as a young man as no portraits depict his image before the age of 40. To help, the National Portrait Gallery provided insight into the many portraits of Washington, as well as into the conventions of 18th century portraiture. 

Washington’s dentures played a vital role in reconstructing Washington’s face. As he lost teeth and bone in his jaw, the shape of his face changed. Dentures also change the jaw line depending on how they fit in the mouth. By examining the dentures that Washington used in his lifetime, the team was able to create a timeline that identified the progression of Washington’s tooth loss. As the mannequins depict Washington at the ages of 19, 45 and 57, this timeline provided critical information on the changing shape of Washington’s face. 

A set of George Washington’s dentures. Photo courtesy of the National Museum of Dentistry.

Three versions of Washington’s dentures can be found at the National Museum of Dentistry in Baltimore, Maryland. One is an original, complete denture for the lower jaw dated 1795, while the other two are replicas of dentures in other collections. 

Since 18th century portraits emphasized the sitter’s face and not the body, information on Washington’s build was extracted from his clothing. By taking volumetric measurements of his trousers, waistcoats and shirts, clues to Washington’s height (6’ 2”) and build could be extrapolated.  

The National Museum of American History gave the team access to Washington’s military uniform which provided the prototype for the costume to be worn by the 45-year-old mannequin depicting Washington at Valley Forge.  

After consulting with these experts, the scans and measurements were fed into a special computer program that produced three-dimensional images of Washington. Eventually, the images were printed out or “milled” on a special machine into high-density foam, and the mannequins became reality.