Tag Archive for: Affiliates

Wiki + Affiliates Part II: Wikimedia Commons and Image Releases

Following up on our successful call in October, we’re hosting a second webinar on Monday, December 16 at 3 pm Eastern focusing on another aspect of Wikipedia. After this webinar, we’ll announce dates for our next session covering the nuts and bolts of hosting your own edit-a-thon! Need a refresher on what we discussed in Part I? Read the Wiki+Affiliates: Help Represent the Under-Represented blog post.

Wikimedia Commons is an online repository of free-use images, sounds, and other media. Files from Wikimedia Commons can be used across all Wikimedia projects in all languages, including its most popular platform, Wikipedia. Wikimedia Commons contains over 55 million free media files, managed and editable by global volunteers. The Smithsonian has been contributing images to Wikimedia Commons for almost a decade. You can view some of the images and media files on the Smithsonian Commons page.

During this presentation we will build on the initial Wikimedia conversation from October with the Smithsonian’s Open Knowledge Coordinator, Kelly Doyle. She will highlight the ways in which Wikimedia Commons functions in the information landscape and how GLAM organizations (Galleries, Libraries, Archives, and Museums) use and interact with this platform. We will discuss the nuances of image copyright, releasing, and practical implementation guidance. A walk-through of image tagging, search functions, and tracking image metrics over time will be presented.

 

Wiki + Affiliates: Help Represent the Under-Represented!

Wikipedia is created and edited by volunteers around the world—and Affiliates can help! As one of the web’s most visited reference sites, Wikipedia serves as a starting point for many individuals looking to learn about art, history, and science. Smithsonian Affiliations and the Smithsonian’s new Open Knowledge Coordinator,* Kelly Doyle, are looking for Affiliate partners to help add under-represented groups and topics on Wikipedia. And we need your help. Affiliate collections and archives contain countless local stories and images that can help tell a fuller and more accurate history.

The first way Affiliates can become involved is through the Smithsonian American Women’s History Initiative (AWHI). The AWHI illuminates women’s pivotal roles in building and sustaining our country and strives to be the nation’s most comprehensive undertaking to document, research, collect, display, and share the rich, complete and compelling story of women in America. With a digital-first mission and focus, the initiative uses technology to amplify a diversity of women’s voices to reach millions of people across the nation and around the world.

“Local and regional histories are an important part of the national story,” said Doyle. “We know that the collections of our Smithsonian Affiliates include notable women from their communities. Affiliates can provide this content to make sure these incredible women are represented online.”

Affiliates that contribute content will support the Smithsonian AHWI initiative and its goal to tell a more inclusive history. Each Wiki post will note the contributor’s connection as an Affiliate, and the post will be linked back to the Affiliate providing the content. We want to be clear that our Affiliates have amazing content to contribute to not only the Smithsonian initiative, but to the larger historical record of our nation’s women.

On October 10, 3:00 pm Eastern Time, we’ll host a call to introduce interested Affiliates to the Wikipedia project and talk about how Affiliates can help improve the quality and accuracy of Wikipedia entries. Together, our goal is to make sure those often overlooked in history are represented.

African American abolitionist and women’s rights activist, Sojourner Truth. This clearer, historically appropriate image was sourced from the National Portrait Gallery during the first AWHI Wikipedia edit-a-thon.

What you can expect on the call:

  1. Why is the Smithsonian investing in this initiative?
  2. How can Affiliates participate in Wiki edit-a-thons?
    • Host an event
    • Provide content
  3. Next steps

Want to learn a little bit more about similar successful projects? Check these blogs out:

* So, tell me, what does the Smithsonian Open Knowledge Coordinator do?
The Open Knowledge Coordinator (OKC) for the American Women’s History Initiative (AWHI) works to bring notable American women from Smithsonian collections into digital spaces, specifically the Wikimedia projects. Wikipedia is the 5th most visited website globally, with thousands of libraries, galleries, archives, and museums contributing content for free public use. However, Wikipedia’s content has a significant gender imbalance. Only 18% of biographies on Wikipedia English are about women. The OKC, together with curators and archivists across the Smithsonian, makes our content and collections about women visible on Wikipedia and Wikimedia Commons. This allows for greater public access to our collections and gender equity online.

Questions prior to the call? Email affiliates@si.edu.

No cost poster exhibitions featuring “Righting a Wrong: Japanese Americans And World War II” and more!

The Smithsonian Institution Traveling Exhibition Service (SITES) consistently offers traveling exhibitions to organizations across the U.S. and around the globe. But did you know SITES also develops and offers FREE poster exhibitions on a variety of subjects? Below we’ve compiled a list of poster exhibitions you can bring to your community free of charge:

Mochida Family, Courtesy of National Archives

Featured Poster Exhibition
Righting a Wrong: Japanese Americans and World War II
This exhibition traces the story of Japanese national and Japanese American incarceration during World War II and the people who survived it. Young and old lived crowded together in hastily built camps, endured poor living conditions, and were under the constant watch of military guards for two and a half years. Meanwhile, brave Japanese American men risked their lives fighting for the United States. Some 40 years later, members of the Japanese American community led the nation to confront the wrong it had done—and urged Congress to make it right. Based on an original exhibition at the National Museum of American History, the Righting a Wrong poster exhibition centers around eight core questions that encourage viewers to engage in a dialogue about how this happened and if it could happen again. Embracing themes that are as relevant today as they were 75 years ago, the poster exhibition brings forth themes of identity, immigration, prejudice, civil rights, courage, and what it means to be an American. A limited quantity of printed posters are available on request at no cost. These posters are expected to be ready for shipping by Fall 2019. Request a copy here.

Additional available poster exhibitions:

  • A Place for All People
  • Bittersweet Harvest: The Bracero Program, 1942-1964
  • Choosing to Participate
  • City of Hope: Resurrection City and the 1968 Poor People’s Campaign
  • Destination Moon: The Apollo 11 Mission
  • Earth from Space
  • From Sea to Shining Sea: 200 Years of Charting America’s Coasts
  • I Want the Wide American Earth: An Asian Pacific American Story
  • Journey Stories
  • World War I: Lessons and Legacies

Click here to see more information about each poster exhibition.

Poster exhibitions are available for download at sites.si.edu. Each poster exhibition includes design files to print posters, as well as programming resources. Recipients are required to complete a short survey about how the poster exhibition was used. Some poster exhibitions are also available as free printed copies. For more information, visit the website or contact SITES’ Poster Coordinator Stephanie McCoy-Johnson at (202) 633-3105 or mccoys@si.edu.

Congrats to the new class of Affiliate Visiting Professionals!

(This is an excerpt of a longer article in the Spring 2019 edition of The Affiliate newsletter)

2018 class

The 2018 Visiting Professional class.

In October 2018, a group of 10 Affiliate colleagues from around the country convened in Washington, D.C., for a two-week, transformative experience at the Smithsonian. They were selected to participate in the Smithsonian Affiliations Visiting Professionals Program (VPP), a unique professional development opportunity for mid-level museum staff at Affiliate organizations. With generous support from The Getty Foundation, the cohort focused on a single topic — using digital technologies to broaden access to art collections — and added a leadership and personal development component to the curriculum.

Participants were selected from Birmingham Civil Rights Institute (Birmingham, Alabama); Japanese American National Museum (Los Angeles, California); Museum of Latin American Art (Long Beach, California); Museum of the African Diaspora (San Francisco, California); Peoria Riverfront Museum (Peoria, Illinois); Schingoethe Center of Aurora University (Romeoville, Illinois); Arab American National Museum (Dearborn, Michigan); American Jazz Museum (Kansas City, Missouri); The Rockwell Museum (Corning, New York); and Springfield Museum of Art (Springfeld, Ohio).

They represented various departments within their organizations and agreed that discussions about workplace challenges made a significant impact on them, especially since it’s often not the thrust of academic degrees. “The leadership piece was so important — how to build allies, how to communicate, managing change, even being a good follower,” mused Charles Woods, educator at Birmingham Civil Rights Institute. “My biggest takeaway was understanding that you can lead from wherever you are.”

People smiling at a table

The 2018 VPP class hard at work at the Smithsonian Affiliations office.

Each participant came to the VPP with a specific organizational objective. Aspirations were high for all participants, but the program taught the cohort how to take achievable action steps and think about iterating over time. “When I came, I had no idea what to expect,” said Erin Shapiro, curator at the Springfield Museum of Art. “But now, I think we have a high chance of success for our project. I don’t say that lightly. Everybody here recognizes that this will be beneficial. I feel fortunate to have participated. The Smithsonian Affiliations team did a fantastic job. It’s an important program.”

With the support of The Getty Foundation, Smithsonian Affiliations will host a second cohort in 2019. We’d like to take this opportunity to congratulate and welcome the 2019 class from the following Affiliate organizations:

Jewel Clark, Heard Museum (Phoenix, Arizona)

Susan Bolaños, Museum of Latin American Art (Long Beach, California)

Melanie Tran, California State Railroad Museum (Sacramento, California)

Melissa de Bie, History Colorado (Denver, Colorado)

Tasha Caswell, Connecticut Historical Society (Hartford, Connecticut)

Teresa Stenstrup, National Czech & Slovak Museum & Library (Cedar Rapids, Iowa)

Elizabeth Barrett Sullivan, Arab American National Museum (Dearborn, Michigan)

Kendra Newhall, Montana Historical Society (Helena, Montana)

Nicole Markham, International Tennis Hall of Fame (Newport, Rhode Island)

Katie Staib, Northwest Museum of Arts and Culture (Spokane, Washington)

Congratulations! We’re excited to meet them all and can’t wait for the collaboration to begin!

Smithsonian Year of Music: Add Your Events!

The Smithsonian Year of Music is an Institution-wide initiative to increase public engagement, advance understanding, and connect communities in Washington, D.C., across the nation, and around the globe. The Smithsonian Year of Music highlights and shares our vast musical holdings, bringing together our resources in history, art, culture, science, and education.

Smithsonian Affiliates can have their music-related activities (performances, music releases, exhibitions, workshops, educational programs, lectures, films, and conferences) included with the Smithsonian listings.  Please submit your listings to affiliates@si.edu with the following information to join the celebration.

  • Title of event
  • Description
  • Date & time
  • Photo
  • Price and ticket link (or if free, that as well)
  • Website link

 

Using Artifacts to Inspire Critical Thinking

This article has been re-posted from the Smithsonian Center for Learning and Digital Access page. It was written by Mary Manning, College and Career Readiness Specialist, at Cleveland History Center of the Western Reserve Historical Society, a Smithsonian Affiliate in Ohio.

You don’t need to be a museum curator to use artifacts in a classroom. If you decide to use visual thinking strategies, which offer powerful ways to unravel all the symbolic power of artistic images, they may not seem to apply to artifacts, especially those used in daily life that may not carry symbolic meanings. However, artifacts are the most often forgotten yet most compelling kind of primary source—they may not tell us a story in words and figures, but they can lead us down trails of questions that can stimulate critical thinking and research in the classroom.

Sasaki Family Photograph, 1960.

Sasaki Family Photograph, 1960.
Members of the Sasaki family are shown in their kitchen, preparing the actual cakes and treats that were made from the sticky mashed rice created in the mochi barrel. Cleveland History Center.

Making Sense of Mochi

When I began to design a Learning Lab collection that featured Asian Pacific American stories from the Cleveland History Center’s collections, I found one such compelling artifact—a mochi barrel used by the Sasakis, a Japanese-American family that lived in Cleveland, Ohio. At around two feet tall, our mochi barrel is a deceptively heavy contraption of wood curved around the cement dish inside. Inside the lid, a series of Japanese characters confirms that the barrel  was made in Cleveland in 1947. I became fascinated by this object, so I began exploring its history through all the questions that it brought to my mind.

First, who was the Sasaki family? How did they come to Cleveland? I knew that much of Cleveland’s Japanese population arrived during World War II, and indeed, after being interned on the west coast, they were placed in Cleveland through the local War Relocation Authority office and efforts of local churches. Telling the story of the Sasakis and their mochi barrel meant combing through these local records, seeking references to the specific family or to situations that mirrored their experience. I also realized that I couldn’t explain how the barrel was used.

After some searching, I learned that making mochi could be a very intensive process, but one that has persisted through centuries of Japanese New Year celebrations. Telling the story of the mochi barrel then became about the process and science behind its function. The more I learned the more I saw these lines of questioning coming together: I wondered if their oppressive experience in internment camps made even more important to preserve cultural rituals like mochi making in their lives.

Questioning Through Artifacts

If you ever find one compelling object or image, don’t hesitate to bring it into your classroom, and use it to build out a lesson. Students are curious; when you let them observe an object for some time, and then ask what they see, they often respond with questions that cut to the core of why the object exists in the first place. They are often able to intuit the purpose of an unfamiliar object from what they already know. They can use their questions as a guide to research the historical context that fills in gaps of knowledge about the object and, potentially, creates more questions. In this process, there doesn’t always have to be just one story—strands of history inherently relate because they all tie back to that one original object.

Through this process, students seek a holistic view of an artifact or image, weighing information for value and bias and how it does or does not fit into the object’s story.  There may be no bad questions, but there are certainly deeper questions that lead to higher-quality answers. By pushing students to question what they see through an intensive engagement with a single object, you hone a process of learning to interpret and draw meaning that enhances the way that students view the world around them. The Sasaki family and their mochi barrel provide the perfect example of why these skills serve students so well. The Sasakis do not play a role in any of the great triumphs and magnificent failures that would characterize a history of Cleveland in the twentieth century, but the ways in which they experienced internment and remade their lives tell us much about what is possible to find in between the events in our history books.

The Cleveland History Center is a Smithsonian Affiliate museum that collaborated on the Teacher Creativity Studio program. This program received Federal support from the Asian Pacific American Initiatives Pool administered by the Smithsonian Asian Pacific American Center.