I Am Psyched! Pop-Up Museum Explores Contributions of Women of Color in Psychology

Many thanks to guest author Cathy Faye, PhD, assistant director at the Drs. Nicholas and Dorothy Cummings Center for the History of Psychology at the University of Akron for this post!

Museums have the power to present us with unfamiliar and interesting places, spaces, things, ideas, and people. Sometimes, these things are new to us, things we haven’t seen before. Sometimes, we are seeing a new interpretation of something that is otherwise familiar. In both cases, museums show us not only what is, but what is possible. When we learn something new about the world, the boundaries of our places and spaces expand, and we see ourselves fitting into them in new ways.

High-school students explore exhibits at the Museum of Psychology at the Cummings Center for the History of Psychology. Archives of the History of American Psychology, The University of Akron

High-school students explore exhibits at the Museum of Psychology at the Cummings Center for the History of Psychology. Archives of the History of American Psychology, The University of Akron

In 2016, a new pop-up museum experience in Washington, DC will work with this idea of using the past, present, and future to expand our ideas of what has been and what is possible for women and girls of color in the field of psychology.

I Am Psyched!

I Am Psyched! is a collaboration between the American Psychological Association, The Cummings Center for the History of Psychology (a Smithsonian Affiliate), and Psychology’s Feminist Voices. Designed as part of the Smithsonian Institution’s Museum Day Live! initiative, I Am Psyched! focuses on illuminating the past, present, and future of women of color in the field of psychology. Historically, psychology has been dominated by white men. However, the period following World War II and the Civil Rights Movement, women of color entered the field in greater numbers, leaving inspirational stories and paving the way for a more diverse and inclusive psychology.

I Am Psyched! explores these stories and celebrates the legacies of these women through a pop-up museum exhibit, a live-streamed conversation hour with groundbreaking women psychologists, and on-site and virtual learning activities.

The pop-up exhibit, to be installed at the American Psychological Association’s Capitol View Conference Center in Washington, DC, will feature film, sound recordings, images, artifacts, and letters that tell the fascinating story of how women of color have and continue to contribute to psychology.

Alberta Banner Turner, 1909-2008, Archives of the History of American Psychology, The University of Akron

Alberta Banner Turner, 1909-2008, Archives of the History of American Psychology, The University of Akron

For example, the exhibit will feature the story of Alberta Banner Turner, who received her doctoral degree in the 1930s–the first black woman to earn a Ph.D. from Ohio State University. Throughout her career, Turner fought for racial equality and spoke out loudly against racial injustice.

Turner’s story is just one of many that will be explored through interactive learning stations, where visitors can explore the history of women of color in psychology and participate in activities that encourage reflection on issues of race, gender, and ethnicity in the social and behavioral sciences.

Museum Day Live! Event

The pop-up museum will be launched on March 12, 2016 for the Smithsonian’s Museum Day Live! event. On Museum Day, several prominent women psychologists will lead a conversation hour, which will be recorded and livestreamed. Recognizing that March 12, 2016 is also National Girl Scout Day, we will design activities for participating girl scouts to earn their own Museum Day-related merit badge by interacting with the exhibits in various ways. We are excited to be able to highlight the rich history and path-breaking contributions of women of color to psychology to inspire the next generation of psychologists.

 

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Kids go bonkers for Superman suit

The signature blue, red and yellow suit worn by mild-mannered reporter Clark Kent wore as Superman is at the Ohio History Center, the headquarters of Ohio History Connection, a Smithsonian Affiliate in Columbus, Ohio, thanks to a loan from the Smithsonian’s National Museum of American History. The suit, worn by actor George Reeves in the 1950s televeision show, is part of 1950s: Building the American Dream, a new exhibit at the History Center.

Read the O Say Can You See? blog about this loan.

The Columbus Dispatch posted this video the day the suit was unveiled. They were on hand to see some local school children go bonkers over the suit. Check it out below.

And read the entire Columbus Dispatch story here.

Follow @SIAffiliates, @amhistorymuseum, and @OhioHistory on Twitter to follow the #superman weekend (October 10, 2015 the exhibition opens to the public).

Starting a teen docent program

Special thanks to guest author Brittany Vernon, IMLS Apprentice at Ohio Affiliate, the National Underground Railroad Freedom Center, for this inspiring post.

Freedom Center Apprentice Brittany Vernon comes to Washington to work with education colleagues at the Anacostia Community Museum

Freedom Center Apprentice Brittany Vernon comes to Washington to work with education colleagues at the Anacostia Community Museum

As an emerging museum professional, my current position as an IMLS Apprentice at the National Underground Railroad Freedom Center in Cincinnati, OH, is centered on learning as much as I can within the field while also gaining valuable work experience in my areas of interests. My passions are African American history and culture and public outreach to underrepresented people in museums, so the work that I do for the Freedom Center reflects that. As a co-leader of the museum’s Youth Docent Program, I get to reach out to local high school students, get them excited about what the Freedom Center offers through training seminars, and encourage them to volunteer as tour guides during their summer vacation. Yes, you read that right: teens + museum + volunteering + summer vacation – it seems impossible and certainly makes for a daunting task. It is also one of the most rewarding projects because of the personal growth and development each student experiences throughout the course of the program once they’re hooked.

Now, when it came time to choose where I would spend my 3-week IMLS internship away from the Freedom Center, I wanted to choose a museum that was engaging in similar work. And for anyone with aspirations of working in the museum field, working in a Smithsonian museum in Washington D.C. represents the ultimate in education and museum leadership (besides being a total dream come true!). In picking a museum, I knew the Smithsonian Anacostia Community Museum [ACM] would be the perfect fit for me because of its focus on urban community issues and populations and its desire to engage teen audiences by starting a youth docent program.

Brittany models the kinds of tours that teens might give of ACM's How the Civil War Changed Washington exhibition.

Brittany models the kinds of tours that teens might give of ACM’s How the Civil War Changed Washington exhibition.

Using existing models including those at the Freedom Center and other Smithsonian Affiliate Museums, the ACM tasked me with creating a guide for a Youth Docent Program that they could implement in upcoming school years. After a week of research, tours and interviews with adult docents and Education staff at the ACM, I was ready to put together a plan. My proposed Youth Docent Program offers teens an opportunity to learn how to interpret museum content for the public and improve their own interpersonal skills and then earn community service hours by giving tours. Through monthly training sessions, teens learn about the content that the museum holds, and that it really is a place for them. Guest speakers and trips expose them to arts/culture-related career options. Finally, through research and writing assignments, teens feel empowered by the knowledge they now hold and are able to share with the public.

The ACM is not alone in its struggle to get teens into its space. Museums across the nation have trouble attracting and retaining the interest of teenagers that for the most part would rather be on their phones than walking through a museum. But from my experiences, a youth docent program is the perfect first step in addressing the gap. When you hook teens with things they already enjoy like spending time with like-minded peers, social media, field trips, games and a guaranteed resume building opportunity, they are more willing to invest and learn a lot along the way. The end result is a group of teens that will advocate for your museum and encourage their family and friends to visit if not only to see the teens in action.

Bringing fresh and youthful voices into museum settings that are sometimes thought of as static and rigid only adds to the wealth of knowledge that institutions like this hold, and shows that museums really can serve a purpose for people from all stages and walks of life, which I am all about. I encourage every museum to start some form of teen outreach if they haven’t already.

Brittany passionately pursues African American history and culture, and issues of freedom and social justice in her museum career.

Brittany passionately pursues African American history and culture, and issues of freedom and social justice in her museum career.

Now that I am back at the Freedom Center, I look forward to continuing my work with the Youth Docent Program with a new group of students this year. I also know that the new Youth Docent Program at the Anacostia Community Museum will be successful in its efforts to connect more with teenagers in the Anacostia neighborhood. Hopefully in a few years, it can evolve to serve as a model for peer institutions that may have similar goals.

Special thanks to IMLS, Smithsonian Affiliations, Smithsonian Anacostia Community Museum and the National Underground Railroad Freedom Center for giving me the opportunity to have this experience.

 

 

 

What to see while you’re in town for the National Conference

While you’re in D.C.,  don’t miss the opportunity to see what’s new at the Smithsonian! We know that it can be daunting to choose among all the museums and exhibitions, so here are a few suggestions, tailored to your time at the Affiliations conference.

Monday, June 15, 12:15 pm, Freer Sackler Gallery of Art
Before the conference starts, take advantage of a tour of Darren Waterson’s Filthy Lucre, a remix of the iconic Peacock Room (details here).

A decadent ruin collapsing under the weight of its own creative excess, Filthy Lucre forms the centerpiece of an unprecedented exhibition that highlights the complicated tensions between art and money, ego and patronage, and acts of creative expression in the nineteenth century and today. It’s a way to see Whistler’s Peacock Room in a completely new light.

Filthy Lucre

Tuesday, June 16, 5:30 pm, Smithsonian American Art Museum

Mingering Mike: SICKLE CELL ANEMIA, 1972. Smithsonian American Art Museum Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Mingering Mike: SICKLE CELL ANEMIA, 1972.
Smithsonian American Art Museum Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Head to the Smithsonian American Art Museum a little ahead of Congressional Night at the Smithsonian to catch a tour of the Mingering Mike’s Supersonic Greatest Hits exhibition.  If you’ve seen the retrospective documentary Searching For Sugar Man, you will love Mingering Mike, the soul superstar nobody has ever heard of. Learn about him and his visionary collection of fabricated music ephemera with Leslie Umberger, curator of folk and self-taught art. She will discuss the artist’s influences, share how the museum came to own the collection, and guide you through a collection of over 150 works of art.

Wednesday, June 17, 1 pm, Haupt Garden
Why not spend your lunch break learning “What Makes a Victorian Garden Victorian?”  Join one of the Smithsonian Gardens’ knowledgeable horticulturists who will describe the various features of the Enid A. Haupt Garden, including its plants and flowers, the Asian-inspired moongate garden, and the Moorish-inspired fountain garden.  Meet outside in the Haupt Garden, near the south entrance doors to the Smithsonian Castle.  Click here for complete information.

And if you can, take a peek at these new and exciting exhibitions:
Hear My Voice: Alexander Graham Bell and the Origins of Recorded Sound, National Museum of American History
In this new exhibition, see documents, recordings, laboratory notes, and apparatus from the Volta Laboratory. Learn about the early history of sound recording in the United States. Hear some of the earliest sound recordings ever made including the only known example of Graham Bell’s own voice, thanks to sound recovery techniques developed by Lawrence Berkeley Laboratory in partnership with the Library of Congress and the Museum.

Photographer Zack Brown shooting dapper men in Harlem, c. 1937 by Eliot Elisofon, Collection of the Smithsonian National Museum of African American History and Culture, © Harry Ransom Center, The University of Texas at Austin

Photographer Zack Brown shooting dapper men in Harlem, c. 1937 by Eliot Elisofon, Collection of the Smithsonian National Museum of African American History and Culture, © Harry Ransom Center, The University of Texas at Austin

Through the African American Lens: Selections from the Permanent Collection, National Museum of African American History and Culture gallery at the National Museum of American History
The much anticipated National Museum of African American History and Culture is expected to officially open its doors in 2016. Check out what all the excitement is about right now!  A new exhibition at the National Museum of American History offers a preview of the artifacts and moments chronicled in the collections.

The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists, National Museum of African Art

Yinka Shonibare MBE How to Blow Up Two Heads at Once (Gentlemen) 2006 Sindika Dokolo Collection, Luanda Photograph by Axel Schneider ©Museum für Moderne Kunst, Frankfurt

Yinka Shonibare MBE
How to Blow Up Two Heads at Once (Gentlemen) 2006  Sindika Dokolo Collection, Luanda
Photograph by Axel Schneider
©Museum für Moderne Kunst, Frankfurt

Right down the hall from conference sessions in the Ripley Center, you will find The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists exhibition.  A combination of new commissions and recently produced works of art come together in this exhibition to demonstrate the ongoing global relevance of the themes addressed in Dante Alighieri’s 14th-century epic poem, The Divine Comedy. Forty of the best known and emerging artists from 18 African nations and the African diaspora working in media as diverse as video projection, installation, painting, sculpture and textiles explore diverse issues of politics, identity, faith, and form. In so doing, they reveal that each person’s vision of heaven, purgatory, or hell is unique.

Shirin Neshat: Facing History, Hirshhorn Museum and Sculpture Garden
Grab lunch nearby and walk to the Hirshorn Museum to stroll the gardens.  Then, go upstairs to the second level to see the Shirin Neshat: Facing History exhibition. In her mesmerizing films and photographs, Shirin Neshat examines the nuances of

Shirin Neshat, I Am Its Secret (Women of Allah), 1993. Photo: Plauto. © Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels

Shirin Neshat, I Am Its Secret (Women of Allah), 1993. Photo: Plauto. © Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels

power and identity in the Islamic world–particularly in her native country of Iran. Shirin Neshat: Facing History presents an array of Neshat’s most compelling works, illuminating the points at which cultural and political events have impacted her artistic practice.

 

For a complete list of all the events and exhibitions at the Smithsonian, click here!

Katharine Hepburn at The Durham Museum

Special thanks for this guest post to Amy Henderson, National Portrait Gallery’s historian emerita. Amy is a cultural historian specializing in “the lively arts”–particularly media-generated celebrity culture. Her books and exhibitions run the gamut from the pioneers in early broadcasting to Elvis Presley, Katharine Hepburn and Katharine Graham.

In the late 1980s, I met writer-director Garson Kanin at a Washington dinner party, and he set the stage for one of my happiest adventures as a cultural historian at the National Portrait Gallery. When I discovered that Garson, who wrote and directed all of the Katharine Hepburn-Spencer Tracy movies, lived next door to Herself in New York, I whined until he promised to give me her address. My excuse? The Portrait Gallery needed a fine portrait of the iconic actress!

Garson’s introduction worked, and I got to know Miss Hepburn in the late ‘80s and early ‘90s. I would have coffee and cookies with her when I traveled to New York, and we always went on an exploration of all the portraits she kept in her townhouse; there were a lot, since she had known artists her entire life.

She mentioned “all the costumes” on the upper floor, but I never got a glimpse. Now, thanks to the Durham Museum in Omaha, the costumes are on full view. “Katharine Hepburn: Dressed for Stage and Screen” is drawn from the Kent State Museum’s Hepburn Costume Collection, and features more than 35 costumes worn in 21 films and 6 stage productions–and some of her private life clothes.

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Mick Hale, Director of Education at the Durham, heard that I had curated a 2007 Portrait Gallery exhibition celebrating Hepburn’s centennial, and invited me to speak about her life in conjunction with the Durham’s costume show. I eagerly accepted, and spoke at this Smithsonian Affiliate in April. Talking about her life, I focused mainly on Hepburn’s remarkable ability to fashion her own image, even in the heyday of the Hollywood studio system when studios configured their stars to reflect their own particular movie “brand.”  E.g., Warner Bros. had a “Murderers’ Row” of gangsters, while MGM boasted “all the stars in the heavens.”

The Durham has been a Smithsonian Affiliate since 2002, and Mick Hale estimates that they have hosted 25 or so traveling exhibitions such as the Hepburn costumes. Other recent speakers have included Mike Neufeld from the National Air and Space Museum, who spoke about the Apollo 8 mission during the Durham’s “1968” exhibition; and Smithsonian Under Secretary for History, Art, and Culture, Richard Kurin, who shared his stories about 101 Smithsonian artifacts last Fall when the Durham hosted the Franklin Institute’s traveling exhibit “Identity: An Exhibition of You.”

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My visit was enormous fun. First, the museum itself is lodged in what had been a stunning Art Deco train station that opened in 1931; lofty ceilings and a sense of bustle create an instantly uplifting “wow” museum experience. Second, for me it was great to see the costumes Hepburn wore during her long stage and screen career. Her waist was TINY–20”–and it was fascinating to see costumes from such landmark performances as the Broadway version of the Philadelphia Story. I also lingered over the section that spotlighted her impeccably tailored tan slacks, of which she had dozens.

My visit came at the end of Mick Hale’s tenure as education director at the Durham. After ten years, he is heading toward new challenges, directing a leadership initiative in Lincoln. But his dynamic partnership with the Smithsonian will remain firmly rooted at the Durham. “The museum and I are very proud of what we have done with the Smithsonian,” he told me, “and I know the quality work and collaboration will continue for a long time.”

image003All photos courtesy of the Durham Museum.

A First Look at New Traveling Exhibitions from the Smithsonian

singerAmong other benefits, Smithsonian Affiliates learn about new Smithsonian traveling exhibitions first!  We’re pleased to bring you two exciting new exhibitions that will travel.  The first, Armchair Archaeology: Paul Singer’s Search for Ancient China from the Freer Gallery of Art and Arthur M. Sackler Gallery details the amazing story of collector Dr. Paul Singer, a psychiatrist by trade who amassed a wide-ranging Chinese art collection, now part of the Sackler Gallery at the Smithsonian.

He collected most aggressively after he immigrated to the United States in 1939, making discoveries at art dealers, auction houses, and thrift stores alike. A self-taught, amateur scholar-collector who never learned the Chinese language, Singer managed to secure a research appointment at the Metropolitan Museum of Art due to his remarkable visual memory and extensive experience in the field.

singer2fsga The exhibition examines both archaeology and miniatures through topical groupings of objects dating from the Bronze  Age (circa 1800–300 BCE) to the Ming dynasty (1368–1644.)  In addition to exploring form, function, and meaning,  the ninety-five objects in the exhibition also represent a range of media, including jade, marble, fluorite, bone,  ivory, amber, gold, silver, bronze, and ceramics from earthenware to porcelain. This breadth reflects Singer’s  ambition to amass “a sequential development in all the materials worked by Chinese artists.”  For more information  and a pdf with an overview of the exhibition, Please email us.

BIG_11EDI_6621F310_13rz copy Across the Mall, from National Air and Space Museum, comes Art of the Airport Tower.  The exhibition is the  second to feature photographs from Museum Specialist, Carolyn Russo. The first, In Plane View, traveled to  many Affiliates over its multi-year run, and is currently on view at the Evergreen Aviation and Space Museum.  Both exhibitions feature stunning photographs of their subjects; Art of the Airport Tower shows these often overlooked utilitarian structures as beautiful art in our everyday lives.   It is a photographic journey to airports in the U.S. and around the world.
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Russo documents these important architectural structures to bring a heightened awareness to their simple beauty and call for their preservation.  She is available for lectures and public programs to venues hosting the exhibition.

Art of the Airport Tower includes historic towers such as the Ford Island Tower, which stood the day of the attacks on Pearl Harbor, as well as today’s heavily trafficked airports such as London’s Heathrow Airport. International towers–including several of the world’s tallest towers, one of which is the Suvarnabhumi Airport in Bangkok, Thailand–are also highlighted. Captions describe the airport and the towers’ significance, and an introduction by F. Robert van der Linden tells the history of airport towers to contextualize Russo’s work.

This exhibit will attract a diverse audience, appealing to anyone with an interest in aviation, aerospace, art, photography, technology, history, culture, and architecture. Please let us know if you’re interested!