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coming up in Affiliateland in July 2018

Summer is heating up with Affiliate activity coast to coast!

NATIONWIDE
Eight Affiliates will be hosting interns from the Smithsonian Latino Center’s Young Ambassadors Program this summer, including the Adler Planetarium (Chicago); California Science Center (Los Angeles); Fort Worth Museum of Science and History (Fort Worth); History Colorado (Denver); HistoryMiami (Miami); Museum of Latin American Art  (Long Beach, CA), Phillip and Patricia Frost Museum of Science (Miami); The Witte Museum (San Antonio), 7.5-8.2.18

MISSOURI
The Saint Louis Science Center will host a lecture by Dr. Margaret Weitekamp, curator at the National Air and Space Museum, on Star Trek: Science Fiction to Science Fact in St. Louis, 7.6.

TENNESSEE
The International Storytelling Center will host a Smithsonian Channel Screening of A Star-Spangled Story: Battle for America on 7.9 and My Big Bollywood Wedding on 7.23 in Jonesborough.

Several Affiliates are screening shows from the Smithsonian Channel this month.

MARYLAND
Historic Annapolis hosts a talk by Dr. Kenneth Cohen, curator at the National Museum of American History, on A 17-19th Century Pub Crawl: Taverns in Early America in Annapolis, 7.10.

VIRGINIA
The Hermitage Museum and Gardens will host a lecture by Cynthia Brown, Manager of Horticulture Collections Management and Education at Smithsonian Gardens, on the Archives of American Gardens: Capturing Garden History in Norfolk, 7.11.

NORTH CAROLINA
The North Carolina Museum of History will host a screening of the Smithsonian Channel film, A Star-Spangled Story: Battle for America, in Raleigh, 7.11.

TEXAS
The Carver Museum, part of the City of Austin Parks and Recreation Department will host a screening of the Smithsonian Channel film Black Wings in Austin, 7.14.

SOUTH CAROLINA
The Children’s Museum of the Upstate will host two teacher workshops featuring educators from the Smithsonian on Fostering Wonder and Introducing Astronomy to Young Children in Greenville, 7.24-25.

¡Escuchame! 5 Questions With Dr. Kathleen Franz

The Smithsonian’s National Museum of American History is working on a new initiative, Escuchame: The History of Spanish Language Broadcasting in the U.S.  The museum has rich collections related to television, but few that tell the story of Spanish-language broadcasting in the U.S. This initiative will document stories from early Telemundo and Univision stations as well as other public and independent stations. Documenting these stories will help show the influence these stations have had on the national narrative and the way the history of American television is written.

Portrait of Dr. Kathleen Franz

Dr. Kathleen Franz, Chair of Work & Industry and Curator of Business History at the National Museum of American History.

To understand more, and how our Affiliate network may participate, I asked five questions of Dr. Kathleen Franz, Chair of Work & Industry and Curator of Business History at the National Museum of American History.

Tell us a little about yourself and how you came to be interested in your area of expertise?
In graduate school, I studied with one of the leading historians of advertising history in the U.S. and really became enthusiastic about the history of television and advertising as business history but also as popular culture. My work sits at the intersections of those two things.

Your current project centers on capturing the history of Spanish-language television in the U.S. and Puerto Rico. What sparked that idea and why is it important to capture this story?
I grew up in San Antonio, Texas, and saw first-hand the long history and power of Spanish-language broadcasting in the U.S. through the pioneering station of KWEX whose roots go back to the 1950s. However, general and popular histories of television often leave out the history of Spanish-language TV in the golden era of the 1950s and 1960s. So, building an archive that housed, preserved, and made available the stories of women and men who created stations and the networks is really important, because the earliest Spanish-language broadcasting goes back to the era of radio in the 1930s, and the earliest television stations are there in the golden era with the first successful network, Spanish International Network (SIN), created in 1961.

A common thread to this huge collection of materials—time-worn press credentials, painted tennis shoes, photographs, mic flags, scripts—is that they represent decades of Spanish-language broadcasting from the network Telemundo. (NMAH)

What have you enjoyed most about this initiative? What has been an unexpected discovery, if any?
First, I have two wonderful collaborators at the museum, Dr. Mireya Loza, curator, Department of Work and Industry, and Melinda Machado, director, Office of Communications and Marketing, who have helped make contact with stations around the country and we’ve done the oral history and object collecting as a team. I’ve learned so much from working with them and meeting the various people who run the stations and put the programming on every day. We also had tremendous support from a private donor — of the Nicolas family in San Antonio who founded KCOR in 1954— the Smithsonian’s Latino Center, Telemundo, and Univision. I can’t name everyone here but I am so grateful for the support of the networks! This has been a serious collaboration to capture and preserve this history. One of the best, and unexpected discoveries, was a painting of the Televisa studios in Mexico City commissioned by Emilio Nicolas in the early 1960s. It’s so unusual to have an artist’s rendition of a TV set and the image captures the look and feel of that exciting era in television. Mr. Nicolas traveled regularly to Mexico City to produce programming at the studio and bring it back to the US Spanish-speaking market for SIN.

What would you like to share with Affiliates? And what would you like Affiliates to share with you?
I’m always delighted to talk to local audiences and I would be happy to talk about the collecting and sharing resources with Affiliates. In turn, it would help us to work with Affiliates to do collecting or memory days at their sites, especially ones who are in cities with long-running Spanish-language stations. We really want to capture what audiences thought and how they viewed and used the stations in their own lives.

What is your next project and what are you looking forward to with it?
Dr. Loza and I would like to publish an edited volume of the oral histories and we’ll be working on that over the next 18 months or so. I’m also currently working on the National Museum of American History’s major women’s history initiative exhibition for the centennial of Women’s suffrage. That exhibition will open at the museum in 2020 and then travel the country starting in 2021.

Dr. Franz is open to the possibility of visiting our Affiliate network in the fall to share more about this initiative. Do you have connections to Spanish-language television history? Contact your National Outreach Manager for more information about bringing Dr. Franz to your neighborhood.

Telemundo Microphone cubes

This series of microphone cubes used over the years by Telemundo 51 WSCV-TV in Florida was donated by Marilys Llanos, senior political reporter at at the station. (Photo by Laura Duff, Smithsonian Institution)

Coming Up in Affiliateland in June 2018

ARIZONA

The Bisbee Mining and Historical Museum will open the Smithsonian exhibition Water/Ways which focuses on the relationships between people and water, in Bisbee, 6.2.

PENNSYLVANIA

The Heinz History Center hosts History on Tap featuring a talk by Theresa McCulla, historian of the American Brewing History Initiative at the National Museum of American History, on how Prohibition influenced the alcohol industry, in Pittsburgh, 6.3.

TEXAS

Space Center Houston hosts Allan Needell, curator of space history at the National Air and Space Museum, who will talk about the Saturn V rocket, in Houston, 6.7.

WYOMING

Soon to be on view in Wyoming, George Catlin’s, Buffalo Chase with Bows and Lances, 1832-1833, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.

The Buffalo Bill Center of the West opens the exhibition Albert Bierstadt: Witness to a Changing West which features three George Catlin paintings on loan from the Smithsonian American Art Museum, in Cody, 6.8.

TENNESSEE

The International Storytelling Center will screen First Ladies Revealed: Twists of Fate, a program from the Smithsonian Channel, in Jonesborough, 6.11.

MARYLAND

The Smithsonian Associates lead a day-long Natural History of the Mid-Atlantic tour which will make a stop at Annmarie Sculpture Garden and Arts Center in Solomons, 6.16.

WEST VIRGINIA

The Heritage Farm Museum and Village will screen the Smithsonian Channel’s program  Aerial America: West Virginia in Huntington, 6.20, 23.

FLORIDA

The Polk Museum of Art opens the exhibition The Von Wagner Code featuring the etching Roman Chariot Race, on loan from the National Museum of American History, in Lakeland, 6.23.

Coming Up in Affiliateland in May 2018

Look at all the activity blooming in Affiliateland this spring!

PENNSYLVANIA
The Heinz History Center hosts a talk and tasting with National Museum of American History curator Paula Johnson on Making Wine at Home as a complement to their current exhibition on Prohibition, in Pittsburgh, 5.6.18.

The Mercer Museum will open Racing: A Need for Speed exhibition featuring 7 artifact loans from the National Museum of American History, in Doylestown, 5.12.18.

A new exhibition at the Center for Jewish History in New York City.

NEW YORK
The Center for Jewish History hosts National Air and Space Museum curator Dr. Valerie Neal for a talk on the history of Jewish astronauts and their achievements as part of their Jews in Orbit: Meet an Astronaut program in Manhattan, 5.7.18

MASSACHUSETTS
The Tsongas Industrial History Center will host Teacher Creativity Studios: Asian Pacific American Cultural Presence in the Classroom workshops in collaboration with the Smithsonian Center for Learning and Digital Access on the Lowell National Historical Park site in Lowell, 5.12.18.

FLORIDA
The Phillip and Patricia Frost Museum of Science will host ¡Descubra! Meet the Science Expert family day in collaboration with the Smithsonian Latino Center in Miami, 5.12.18.

¡Descubra! Meet the Science Expert family program will be coming to Miami with the Smithsonian Latino Center

Things Come Apart an exhibition organized by the Smithsonian Institution Traveling Exhibition Service opens at the South Florida Museum in Bradenton, 5.26.18.

MAINE
The Abbe Museum will host its inaugural Indian Market, with a film series curated by Elizabeth Weatherford, Founder and Emeritus Director of the Film and Video Center at the National Museum of the American Indian, in Bar Harbor, 5.18-20.18.

MARYLAND
Annmarie Sculpture Garden and Arts Center will open the exhibition Of a Feather: Birds in Art juried by Jennifer Daniels, landscape architect at the Smithsonian National Zoo, in Solomons, 5.25.18.

Five questions with Amanda Moniz, Curator of Philanthropy at the Smithsonian’s National Museum of American History

Headshot of Amanda MonizWhat do we love more than helping you navigate the Smithsonian? Sending someone from the Smithsonian to your neighborhood! Our people are our greatest resource and when new curators join the Smithsonian family, we like to share their stories with our network. This week, I had the chance to ask a few questions of Amanda Moniz, Curator of Philanthropy at the Smithsonian’s National Museum of American History, about her career. Read on to learn why she’s eager to share her passion with Affiliates. Interested in bringing a Smithsonian speaker to your organization? Contact your National Outreach Manager!

Tell us a little about yourself and how you got to the Smithsonian. What exactly is a curator of Philanthropy?

I’m an early American historian specializing in the history of philanthropy. My first book, From Empire to Humanity: The American Revolution and the Origins of Humanitarianism, explores how Americans and Britons rebuilt their relationships after the Revolutionary rupture through humanitarian collaboration and, in the process, transformed philanthropy.

Before I joined the staff of the Smithsonian, I worked at the National History Center of the American Historical Association. Its mission is to bring historical perspectives into public and policy conversations so that job provided great experience for this position with its emphasis on engaging the public in exploring history.

A lot of people ask what a curator of philanthropy is! My job entails collecting objects that tell stories about the history of Americans’ gifts of time, talent, and treasure for the public good; working on exhibitions; researching and writing, and sharing stories about the history of giving in other ways such as through social media.

It has been a little over a year since you began at the Smithsonian. What have you enjoyed most about working at the National Museum of American History? And what are you looking forward to?

I love hearing people’s stories about giving. Most Americans give their time or resources in some way, shape, or form. I’ve talked with visitors, colleagues, well-known philanthropists, and people who work in nonprofits, and heard amazing stories about what giving and receiving has meant in their lives and their families’ lives. Their stories inspire me as I think about my work.

I’m really excited about building the philanthropy collection. A lot of people are initially surprised at the idea of exploring the history of giving through objects. I think the collection has the potential to open new perspectives on the role of philanthropy on the forming and re-forming of our nation.

So far, what is the most amazing artifact you’ve come across and why? What story does it tell?

I recently acquired a basically unknown portrait of Eliza Hamilton, the widow of Alexander Hamilton. She and other women founded a charity known as the Orphan Asylum Society of the City of New York in 1806 when women in the United States were new to organized benevolence. (The organization is still in existence and now known as Graham Windham. The painting was generously donated by Graham Windham.) The portrait was painted in the mid-1800s and shows her as an older woman. Her resolute look and direct gaze are captivating. I also love the portrait because it helps us tell the story of the emergence and development of women’s philanthropy.

How does one collect philanthropy?

The history of philanthropy is the story of people mobilizing resources (of time, talent, and treasure) to support causes and institutions in hopes of having an impact. I’m looking for artifacts that help us understand the various dimensions of those developments from a range of perspectives.

The first object I collected was a nest box used in bluebird conservation. Nest boxes provide habitats for bluebirds and have helped revive the populations of the bird, which had fallen because development had disrupted the birds’ habitats. The nest box is a great object because it helps to effect the change bluebird conservation advocates are pursuing.

You’ve mentioned that sharing is “perhaps the most fun part of a curator’s job.” We have Affiliates in 46 states, Puerto Rico, and Panama and we are always looking for ways to share Smithsonian resources with them. What would you like to share with them?

I’d love to let our Affiliates know about some of our online resources.

Later in March, we’ll be adding a section on “Giving and the Arts” to the online version of Giving in America. (“Giving and the Arts” will replace the case on environmental philanthropy in the physical exhibition on March 22.) In addition to the online exhibition, we have a website for the Smithsonian’s Philanthropy Initiative with videos, links to blog posts, and more. We also have robust social media focused on philanthropy, and I hope folks will join the conversation. I love sharing what I’m learning and am eager to learn from others!

Follow us at:

• Philanthropy Blog Posts: http://s.si.edu/PhilanthropyBlog
• Facebook: National Museum of American History
• Instagram and Twitter: @amhistorymuseum

BONUS: Read Amanda’s blog from April 2017 shortly after she joined our Smithsonian family.

Amanda Moniz is the David M. Rubenstein Curator of Philanthropy in the Division of Home and Community Life. The Philanthropy Initiative is made possible by the Bill & Melinda Gates Foundation and David M. Rubenstein, with additional support by the Fidelity Charitable Trustees’ Initiative, a grantmaking program of Fidelity Charitable.

Coming up in Affiliateland in February 2018

Happy new year! We may still feel cold, but events are heating up at Affiliates across the country.

NATIONWIDE
Five Affiliates will host (via videoconference) the Smithsonian Secretary’s Youth Advisory Council meeting. Thank you to the Arab American National Museum, Fort Worth Museum of Science and History, National Underground Railroad Freedom Center, the Upcountry History Museum and the Rockwell Museum for sharing their students and spaces for this important dialogue happening in Washington, 2.7.

Eight Affiliates will host screenings of The Lost Tapes: Malcolm X , a new film from the Smithsonian Channel as part of their Black History Month programming. Thanks to the following Affiliates for sharing the film with your audiences!
2.1 – Reginald F. Lewis Museum in Baltimore, MD
2.6 – Museum of History & Industry in Seattle, WA
2.7 – Heinz History Center in Pittsburgh, PA
2.8 – African American Museum in Philadelphia, PA
2.12 – History Colorado in Denver, CO
2.22 – California African American Museum in Los Angeles
2.23 – Mennello Museum of American Art/Orlando Museum of Art, FL
2.26 – Perot Museum of Nature and Science in Dallas, TX

CALIFORNIA
The Riverside Metropolitan Museum presents the Uncovering Ancient Mexico: The Mystery of Tlatilco exhibition, exploring an ancient society in central Mexico that flourished 3000 years ago. The exhibition features 9 artifacts from the collections of the National Museum of the American Indian and opens in Riverside, 2.3

WASHINGTON
The Whatcom Museum opens Jeweled Objects of Desire featuring over 50 artifacts on loan from the National Museum of Natural History’s gem and mineral collection in Bellingham, 2.3.

FLORIDA
The Orange County Regional History Center opens the SITES’ exhibition Things Come Apart in Orlando, 2.10.

Take it Apart! A fun contest in Orlando for the Things Come Apart exhibition.

PENNSYLVANIA
A ‘rum runner’ ship model on loan from the National Museum of American History will be on view at the Heinz History Center as part of their American Spirits: The Rise and Fall of Prohibition exhibition in Pittsburgh, 2.10.

OHIO
With a grant from the Ohio Arts Council, educators from the Smithsonian American Art Museum and Accessibility Program will lead three workshops for teachers in collaboration with the Springfield Museum of Art on strategies for using art to reach students with multiple disabilities, in Springfield, 2.15-16.

MARYLAND
Annmarie Garden opens Big Fun Art, an exhibition of local and national artists juried by Jennifer Brundage, Smithsonian Affiliations National Outreach Manager, that explores playfulness, dynamism and joy, in Solomons, 2.16.

ARIZONA
Dr. Richard Kurin will be speaking on and signing his book The Smithsonian’s History of America in 101 Objects at the Desert Caballeros Western Museum in Wickenburg, 2.20.

TEXAS
The Asian American Resource Center will host a teacher workshop in collaboration with the Smithsonian Center for Learning and Digital Access entitled Teacher Creativity Studios: Asian Pacific America Cultural Presence in the Classroom in Austin, 2.21.

NEBRASKA
The Durham Museum will host a lecture by Dr. Krewasky Salter, Guest Associate Curator at the National Museum of African American History and Culture on Double Victory: The African American Military Experience in Omaha, 2.27.